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Federico del Sagrado Corazón de Jesús García Lorca [a] [b] (5 June 1898 – 19 August 1936) was a Spanish poet, playwright, and theatre director. García Lorca achieved international recognition as an emblematic member of the Generation of '27, a group consisting mostly of poets who introduced the tenets of European movements (such as symbolism, futurism, and surrealism) into Spanish ...
García Lorca, Federico. 1970. Five Plays: Comedies and Tragi-Comedies. Trans. James Graham-Lujan and Richard L. O'Connell. London: Penguin. ISBN 0140181253. Includes: The Billy-Club Puppets, The Shoemaker's Prodigious Wife, The Love of Don Perlimplín and Belisa in the Garden, Doña Rosita, the Spinster, The Butterfly's Evil Spell.
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The critic for ABC, Lorenzo López Sancho, wrote in his review of the Madrid production: "It seems to me that in When Five Years Pass we see the true depth of the great theatrical personality that García Lorca would have become and, probably, his most original and experimental contribution to the theatre." [3]
The Romancero gitano (often translated into English as Gypsy Ballads) is a poetry collection by Spanish writer Federico García Lorca.First published in 1928, it is composed of eighteen romances with subjects like the night, death, the sky, and the moon.
Blood Wedding (Spanish: Bodas de sangre) is a tragedy by Spanish dramatist Federico García Lorca.It was written in 1932 and first performed at Teatro Beatriz in Madrid in March 1933, then later that year in Buenos Aires, Argentina.
The Public (El público), also known as The Audience, is a play by the twentieth-century Spanish dramatist Federico García Lorca. [2] It was written between 1929 and 1930. The two complete manuscripts which once existed have not been found, and may be lost. All that is known is an earlier draft, missing an act. [3]
The Puppet Play of Don Cristóbal (Retablillo de Don Cristóbal) is a play for puppet theatre by the twentieth-century Spanish dramatist Federico García Lorca.It was written in 1931 and was first performed on 11 May 1935 at the Book Fair in Madrid, in a performance in which Lorca operated the puppets himself. [1]