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These are family trees of the Norse gods showing kin relations among gods and other beings in Nordic mythology. Each family tree gives an example of relations according to principally Eddic material however precise links vary between sources. In addition, some beings are identified by some sources and scholars.
Adils; Alaric and Eric; Arngrim; Ask and Embla; Aun; Berserkers; Bödvar Bjarki; Dag the Wise; Domalde; Domar; Dyggve; Egil One-Hand; Fafnir; Fjölnir; Gudrun; Harald ...
Norse, Nordic, or Scandinavian mythology, is the body of myths belonging to the North Germanic peoples, stemming from Old Norse religion and continuing after the Christianization of Scandinavia as the Nordic folklore of the modern period.
Indirectly, the Vikings have also left a window open onto their language, culture and activities, through many Old Norse place names and words found in their former sphere of influence. Some of these place names and words are still in direct use today, almost unchanged, and shed light on where they settled and what specific places meant to them.
As a result, Norse mythology "long outlasted any worship of or belief in the gods it depicts". [106] There remained, however, remnants of Norse pagan rituals for centuries after Christianity became the dominant religion in Scandinavia (see Trollkyrka). Old Norse gods continued to appear in Swedish folklore up until the early 20th century.
Viking is made jarl by the king and Halfdan becomes the king's hersir. The two groups of sons are highly competitive against each other. In a brutal ball game, they beat and maim each other, breaking each other's arms. A son of Viking, near death, slays a son of Njorfe. Viking scolds this son and sends him to an island in Lake Werner.
Viking expansion was the historical movement which led Norse explorers, traders and warriors, the latter known in modern scholarship as Vikings, to sail most of the North Atlantic, reaching south as far as North Africa and east as far as Russia, and through the Mediterranean as far as Constantinople and the Middle East, acting as looters, traders, colonists and mercenaries.
The valknut: According to scholar Leszek Gardeła, "Probably the most vivid manifestation of the number nine motif in the material culture of the Viking Age comes in the form of the so-called valknútr, a symbol carved in wood, metal and stone which usually takes the form of three inter-locking triangles (giving a total of nine triangle points)."