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The archetype of the "independent woman" is particularly emphasized today in the hip- hop genre in which male and female rappers discuss it frequently. Moody, Professor of Journalism at Baylor University described the "independent black woman" phenomenon in two 2011 articles titled "A rhetorical analysis of the meaning of the 'independent woman ...
For the first time in its history, The Independent has drawn up a list of the most influential women of the moment. In an explicit attempt to move away from those influence lists which only focus ...
Download as PDF; Printable version; In other projects ... Independent Women Part III: Released: October 15, 2012 ... with selected chart positions, showing year ...
These women are then categorized as good women and bad women, respectively. These "good women" are seen as nurturing, family-oriented, soft-spoken, even-tempered and sexually naïve, whereas the "bad women" are often the sexual targets of men. Another dichotomy presented by this study is dependent women versus independent women.
"Independent Women Part I" was a chart success in the United States, reaching number one on the Billboard Hot 100. The single held the top position in the following week, which was seen as buoyed by the strong box office performance of Charlie's Angels and the heavy rotation the song received. [ 18 ]
The positive narrative of the independent woman is that she's financially secure, a college graduate, beautiful, can cook, clean, and is a good supporter. [17] However, in rap songs the independent woman is regarded as a "broad", "bitch", and "chick"; derogatory terms that signal to the woman "she's just a woman beneath him in the social ...
The New Woman was to be a politically, socially and economically independent woman. The Freewoman did not reject the domestic life that most women during the twentieth century lived, but rather used the domestic life of a woman as a tool to show women that they could take an active role in protecting their interests.
In 1920 she founded a monthly magazine The Independent Woman, editing it until 1921. [4] She was a contributing editor to Pictorial Review and founded its $5,000 annual award for women of achievement. [5] In 1932 her son, Haden Clarke, was a ghostwriter engaged to write the memoirs of the aviator Jessie Miller. After a relationship ensued ...