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The comedy and tragedy masks are a pair of masks, one crying and one laughing, that have widely come to represent the performing arts. Originating in the theatre of ancient Greece, the masks were said to help audience members far from the stage to understand what emotions the characters were feeling. [1]
Nevertheless, the mask is known to have been used since the time of Aeschylus and considered to be one of the iconic conventions of classical Greek theatre. [ 19 ] Masks were also made for members of the chorus, who play some part in the action and provide a commentary on the events in which they are caught up.
Greek tragedy is widely believed to be an extension of the ancient rites carried out in honor of Dionysus, the god of wine and theatre, and it heavily influenced the theatre of Ancient Rome and the Renaissance. Tragic plots were most often based upon myths from the oral traditions of archaic epics. In tragic theatre, however, these narratives ...
The sock and buskin, like the comedy and tragedy masks, are associated with two Greek Muses, Melpomene and Thalia.Melpomene, the Muse of tragedy, is often depicted wearing buskins and holding the mask of tragedy, while Thalia, the Muse of comedy, is often depicted wearing the comic's socks and holding the mask of comedy.
Ancient Greek comedy (Ancient Greek: κωμῳδία, romanized: kōmōidía) was one of the final three principal dramatic forms in the theatre of classical Greece (the others being tragedy and the satyr play). Athenian comedy is conventionally divided into three periods: Old Comedy, Middle Comedy, and New Comedy.
Tragicomedy is a common genre in post-World War II British theatre, with authors as varied as Samuel Beckett, Tom Stoppard, John Arden, Alan Ayckbourn and Harold Pinter writing in this genre. Vladimir Nabokov 's postmodern 1962 novel Pale Fire is a tragicomedy preoccupied with Elizabethan drama.
Individual masks: All actors in classical Athens wore masks, but whereas in tragedy and New Comedy these identified stereotypical characters, in Old Comedy the masks were often caricatures of real people. Perhaps Socrates attracted a lot of attention in Old Comedy because his face lent itself easily to caricature by mask-makers. [30]
Tragic Comic Masks of Ancient Greek Theatre represented in the Hadrian's Villa mosaic. Dean Rubin says the word "comedy" is derived from the Classical Greek κωμῳδία kōmōidía, which is a compound of κῶμος kômos (revel) and ᾠδή ōidḗ (singing; ode). [4]