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This is an accepted version of this page This is the latest accepted revision, reviewed on 21 January 2025. Cultural belief of 19th-century American expansionists For other uses, see Manifest Destiny (disambiguation). American Progress (1872) by John Gast is an allegorical representation of the modernization of the new west. Columbia, a personification of the United States, is shown leading ...
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Manifest destiny was the belief that American settlers were destined to expand across the continent. [100] Manifest destiny was rejected by modernizers, especially the Whigs like Henry Clay and Abraham Lincoln who wanted to build cities and factories – not more farms. [b] Democrats strongly favored expansion, and won the key election of 1844.
Image:Canada_blank_map.svg — Canada. File:Blank US Map (states only).svg — United States (including Alaska and Hawaii). Each state is its own vector image, meaning coloring states individually is very easy. File:Blank USA, w territories.svg – United States, including all major territories.
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The Gadsden Purchase (Spanish: Venta de La Mesilla "La Mesilla sale") [2] is a 29,640-square-mile (76,800 km 2) region of present-day southern Arizona and southwestern New Mexico that the United States acquired from Mexico by the Treaty of Mesilla, which took effect on June 8, 1854.
American Progress, a painting of profound historical significance, has become a seminal example of American Western Art.Serving as an allegory for manifest destiny and American westward expansion, this 11.50 by 15.75 inches (29.2 cm × 40.0 cm) masterpiece was commissioned in 1872 by George Crofutt, a publisher of American Western travel guides and has since been frequently reproduced.