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Dead Hand Control is the third studio album by Vampire Weekend bassist and American musician Chris Baio, who goes by the mononym Baio. It was released on January 29, 2021, by Glassnote Records . [ 8 ]
Scott Vincent Baio (/ ˈ b eɪ. oʊ /; born September 22, 1960) is an American actor.He is known for playing Chachi Arcola on the sitcom Happy Days (1977–1984) and its spin-off Joanie Loves Chachi (1982–1983), the title character on the sitcom Charles in Charge (1984–1990), Dr. Jack Stewart in the medical-mystery-drama series Diagnosis: Murder (1993–1995), and the title role of the ...
Kalyn and Kalynn are given names. Notable people with these name include: Kalyn. Kalyn Chapman (born 1970), American model, TV host, beauty pageant titleholder from ...
Skatetown, U.S.A. is a 1979 American comedy musical film produced to capitalize on the short-lived fad of roller disco. [2] Directed by William A. Levey, the film features many television stars from the 1960s and 1970s, among them Scott Baio, Flip Wilson, Maureen McCormick, Ron Palillo and Ruth Buzzi.
Chris Baio: Production companies. 8750 Films Faliro House Productions. Distributed by: Screen Media Films: Release dates. March 15, 2015 () August ...
The film was directed by Martin, and starred Scott Baio as the businessman, Rosemary Prinz (as the dying elderly woman), Kristin Minter as Lucca, the estranged daughter, and Shuler Hensley. Then 70 years old, Prinz, a soap opera mainstay, made her feature film debut. This film has been presented at many film festivals across America.
Scott Baio as Mario Cotone; Kelly Van der Velden as Nicole Yeats; Christopher Plummer as John Robertson Yeats; Jennifer O'Neill as Irene; Virna Lisi as Anna Cotone, Mario's mother; Jerry Orbach as Leo; John Armstead as Charlie; Lisanne Falk as Linda; Jusak Bernhard as Kem; Morgan Most as Veronica (credited as Morgan Hart) Cyrus Elias as Kurt ...
Production on the film was first announced in 2022. [2] In contrast to the original graphic novel, which used artistic techniques to obscure the faces of the sex workers due to Brown's concern for the women's privacy rights but faced some criticism for seemingly dehumanizing them, Lee's film adaptation, through a "female gaze", more strongly centres the women's own perspectives.