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[6] [7] It also excludes age transformations that are sometimes reviewed or promoted as body swaps, as in the movies Big and 17 Again; [6] [8] [9] identity/role swaps, typically between clones, look-alikes, or doppelgängers; [10] and characters with multiple personalities.
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The Transformation Story Archive (TSA) was a website archiving amateur fiction featuring a personal physical transformation or its aftermath. The archive was created by Austrian web designer Thomas Hassan, who intended it to be a premier showcase for transformation-themed fiction and a showcase for amateur authors.
Full-body suits called zentai entirely immerse the wearer in skin tight fabric. The suits are essentially catsuits with gloves, feet, and a hood. The wearer experiences total enclosure and those who enjoy erotic objectification might make use of the garment's anonymizing aspect. The word zentai means whole body in Japanese.
Body-swapping devices are usually characterized by a highly experimental status, straps, helmets with many complicated cables that run to a central system and a tendency to direly malfunction before their effects can be reversed. Those without such means may resort to brain transplants. Such experiments can have overtones of horror or erotism.
The film is a remake of a 1935 French movie, Fanfare of Love, from the story by Robert Thoeren and Michael Logan, which was remade in 1951 by German director Kurt Hoffmann as Fanfares of Love. In Blake Edwards 's 1982 musical comedy film Victor/Victoria , Victoria Grant, a struggling soprano, is unable to find work but she finds success when ...
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A trend of bodysuits was observed by film reviewer Alan Farrell in his book High Cheekbones, Pouty Lips, Tight Jeans, and a number of occurrences of the garb in films were mentioned – Charlize Theron in Aeon Flux, Milla Jovovich in the fourth and fifth film of the Resident Evil franchise, Carrie-Anne Moss in The Matrix, Angelina Jolie in Lara ...