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Udio's release followed the releases of other text-to-music generators such as Suno AI and Stability Audio. [7] Udio was used to create "BBL Drizzy" by Willonius Hatcher, a parody song that went viral in the context of the Drake–Kendrick Lamar feud, with over 23 million views on Twitter and 3.3 million streams on SoundCloud the first week. [8]
Suno AI, or simply Suno, is a generative artificial intelligence music creation program designed to generate realistic songs that combine vocals and instrumentation, [1] or are purely instrumental. Suno has been widely available since December 20, 2023, after the launch of a web application and a partnership with Microsoft , which included Suno ...
Ross responded with his diss "Champagne Moments", coining the phrase BBL Drizzy on X (formerly known as Twitter) and Instagram while promoting the song. [12] [13] Inspired by an X post from Rick Ross, comedic performer Willonius Hatcher, who goes by King Willonius online, released an AI generated R&B parody song titled "BBL Drizzy".
The internet is lapping up a catchy new parody song poking fun at former President Donald Trump’s “they’re eating the cats” debate comment — with the music video raking in hundreds of ...
Song Album(s) Original or parody "30 Rock Theme Parody" Medium Rarities (2017) Parody of "30 Rock Theme" composed by Jeff Richmond. From an episode of 30 Rock. "Aardvark" Peter and the Wolf (1988) Original, part of "The Carnival of the Animals – Part Two", inspired by "The Carnival of the Animals" by Camille Saint-Saëns "Achy Breaky Song"
The video, created by an account by the name “Mr. Reagan,” is about 2 minutes in length and features a convincing AI audio track of the vice president’s voice.
In honor of National Comedy Month, theGrio ranks the best music spoofs from the classic Fox sketch show “In Living The post Top 10 ‘In Living Color’ music parodies appeared first on TheGrio.
A more nascent development of AI in music is the application of audio deepfakes to cast the lyrics or musical style of a pre-existing song to the voice or style of another artist. This has raised many concerns regarding the legality of technology, as well as the ethics of employing it, particularly in the context of artistic identity. [ 59 ]