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Gaudas are aboriginal people residing in the coastal Indian state of Goa. They are believed to be the original inhabitants of Konkan. Most follow folk Hinduism, but many were converted to Catholicism by the Portuguese missionaries during the Christianisation of Goa while still keeping their folk tradition and culture alive. [1]
Goan music is a fusion of East and West. Music of Goa refers to music from the state of Goa, on the west coast of India. A wide variety of music genres are used in Goa ranging from Western art music to Indian classical music. [1] Konkani music is also popular across this tiny state.
"Mando Festival" in Goa. Mando (Goan Konkani: Mannddô) is a musical form that evolved during the 19th and 20th centuries among the Goan Catholics. It represents a meeting point of local Goan (Goa was a part of Portugal at that point of time) and western musical traditions. The music has elements of both Indian and western culture.
Fugdi is a folk dance performed by the womenfolk of some communities of Konkanies in the Konkan coastal region of Goa and Maharashtra states during the Hindu religious festivals like Ganesh Chaturthi and Vrata or towards the end of other dances like Dhalo. According to certain historical facts, this dance style is said to have been created from ...
[136] [137] Dulpod is dance music with a quick rhythm and themes from everyday Goan life. [138] Fell is a music genre performed by men and women during the Goa Carnival. [138] Other dances performed at the Goan Carnival are Fulwali, Nistekaram, Vauradi, and Kunbi.
A population of Kunbi (locally called Kurumbi) is also found in Goa, where they are believed to be descendants of the area's aboriginal inhabitants. They are largely poor agriculturalists, [ citation needed ] though some of the oldest known landowners in Goa were of this class, and claimed for themselves the Vaishya (merchant) varna. [ 46 ]
From then on, she was known simply as 'Lorna', and was a household name throughout India. Perry's songs were catchy, toe-tapping or romantic; all were a blend of Goan folk music and jazz elements. These songs became instant hits and garnered significant radio play; their popularity was helped by the love story between the two. [9]
Kunbi Jakki and his Celebrated Cause, also known simply as Kunbi Jakki Part II, is a three-act Konkani play written by João Agostinho Fernandes. It is a sequel to the 1941 play of the same title . The play was first composed in Bombay on 3 September 1941, and later revised in Margão on 27 March 1945, [ 1 ] with the final three scenes ...