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The metrical form of "The Monk's Tale" is the most complex of all the pilgrims', an eight-line stanza with rhyme scheme ABABBCBC. Usually, a strong, syntactical link exists between the fourth and fifth lines, which some literary theorists feel prevents the stanza from breaking in half.
The corrido (Spanish pronunciation: ) is a famous narrative metrical tale and poetry that forms a ballad. The songs often feature topics such as oppression, history, daily life for criminals, the vaquero lifestyle, and other socially relevant themes. [1]
The metrical "feet" in the classical languages were based on the length of time taken to pronounce each syllable, which were categorized according to their weight as either "long" syllables or "short" syllables (indicated as dum and di below). These are also called "heavy" and "light" syllables, respectively, to distinguish from long and short ...
An example of this is The Ring and the Book by Robert Browning. In terms of narrative poetry, romance is a narrative poem that tells a story of chivalry. Examples include the Romance of the Rose or Tennyson's Idylls of the King. Although those examples use medieval and Arthurian materials, romances may also tell stories from classical mythology.
Ancient Engleish Metrical Romanceës (1802) is a collection of Middle English verse romances edited by the antiquary Joseph Ritson; it was the first such collection to be published. The book appeared to mixed reviews and very poor sales, but it continued to be consulted well into the 20th century by scholars, and is considered "a remarkably ...
Poetry written in the mid 12th century represents some of the latest post-Norman examples of Old English. [3] Adherence to the grammatical rules of Old English is largely inconsistent in 12th-century work, and by the 13th century the grammar and syntax of Old English had almost completely deteriorated, giving way to the much larger Middle ...
The key idea of the theory is that poets have a store of formulae (a formula being 'an expression that is regularly used, under the same metrical conditions, to express a particular essential idea') [1] and that by linking the formulae in conventionalised ways, poets can rapidly compose verse. Antoine Meillet expressed the idea in 1923, thus:
The earliest surviving examples are a metrical paraphrase of the Lord's Prayer in short-line couplets, and the Poema Morale in septenary (or "heptameter") couplets, both dating from the twelfth century. [4] Rhyming couplets were often used in Middle English and early modern English poetry.