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The element of live breathing sounds can regulate infant heart rate, quiet-alert states, and sleep. Live lullabies can also enhance parent-child bonding, thus decreasing parental stress associated with the intensive care. In short, live lullabies sung by music therapists induce relaxation, rest, comfort, and optimal growth and development. [25] "
The song is commonly thought to be of African-American origin. [1] An early published version is in "A White Dove", [2] a 1903 story for kindergarteners by Maud McKnight Lindsay (1874–1941), a teacher from Alabama and daughter of Robert B. Lindsay. [3] In the story, "a little girl" sings to "her baby brother" what is footnoted as "an old ...
"Schlaf, Kindlein, schlaf" ("Sleep, dear child, sleep") is a German lullaby. The oldest surviving version is a text and melody fragment of the first stanza, which appears in 1611 as part of a quodlibet in Melchior Franck's Fasciculus quodlibeticus.
"Hush-a-bye baby" in The Baby's Opera, A book of old Rhymes and The Music by the Earliest Masters, ca. 1877. The rhyme is generally sung to one of two tunes. The only one mentioned by the Opies in The Oxford Book of Nursery Rhymes (1951) is a variant of Henry Purcell's 1686 quickstep Lillibullero, [2] but others were once popular in North America.
Attributed the song to William Swords, an actor at the Haymarket Theatre of London. The identity of "Bingo" in the song is formally ambiguous. Bobby Shafto's Gone to Sea 'Bobby Shafto' United Kingdom 1805 [22] 18th century British politician Bobby Shafto is a likely subject for this song. Bye, Baby Bunting: Great Britain 1731 [23]
Hush, Little Baby" is a traditional lullaby, thought to have been written in the Southern United States. The lyrics are from the point of view of a parent trying to appease an upset child by promising to give them a gift.