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Jeremiah 17 is the seventeenth chapter of the Book of Jeremiah in the Hebrew Bible or the Old Testament of the Christian Bible. This book contains prophecies attributed to the prophet Jeremiah, and is one of the Books of the Prophets. This chapter includes the third of the passages known as the "Confessions of Jeremiah" (Jeremiah 17:14–18). [1]
Jeremiah is an essential figure in both Judaism and Christianity. His words are read in synagogues as part of the haftara and he is quoted in the New Testament. [7] Islam also regards Jeremiah as a prophet and his narrative is recounted in Islamic tradition. [8]
Thou shalt not make unto thee any graven image, or any likeness of any thing that is in heaven above, or that is in the earth beneath, or that is in the water under earth: Thou shalt not bow down thyself to them, nor serve them: for I the L ORD thy God am a jealous God, visiting the iniquity of the fathers upon the children unto the third and fourth generation of them that hate me; And shewing ...
According to Josephus, Baruch was a Jewish aristocrat, a son of Neriah and brother of Seraiah ben Neriah, chamberlain of King Zedekiah of Judah. [2] [3]Baruch became the scribe of the prophet Jeremiah and wrote down the first and second editions of his prophecies as they were dictated to him. [4]
The Prophet Jeremiah is one of the seven Old Testament prophets painted by the Italian High Renaissance master Michelangelo (c. 1510–12) on the Sistine Chapel ceiling. The Sistine Chapel is in Vatican Palace, in the Vatican City. This particular fresco is the first one on the left from the side of the High Altar.
As "We Shall Not Be Moved" the song gained popularity as a protest and union song of the Civil rights movement. [2]The song became popular in the Swedish anti-nuclear and peace movements in the late 1970s, in a Swedish translation by Roland von Malmborg, "Aldrig ger vi upp" ('Never shall we give up').
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Jeremiah Lamenting the Destruction of Jerusalem is a 1630 painting by Rembrandt. It is one of the most renowned works of his Leiden period. Reception Many ...