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Flamboyant (from French flamboyant 'flaming') is a lavishly-decorated style of Gothic architecture that appeared in France and Spain in the 15th century, and lasted until the mid-sixteenth century and the beginning of the Renaissance. [1] Elaborate stone tracery covered both the exterior and the interior.
English Baroque is a term used to refer to modes of English architecture that paralleled Baroque architecture in continental Europe between the Great Fire of London (1666) and roughly 1720, when the flamboyant and dramatic qualities of Baroque art were abandoned in favour of the more chaste, rule-based Neo-classical forms espoused by the proponents of Palladianism.
The architecture of Ancient Greece and Ancient Rome, derived from the ancient Mediterranean civilizations such as at Knossos on Crete. They developed highly refined systems for proportions and style, using mathematics and geometry.
The city of Paris has notable examples of architecture from the Middle Ages to the 21st century. It was the birthplace of the Gothic style, and has important monuments of the French Renaissance, Classical revival, the Flamboyant style of the reign of Napoleon III, the Belle Époque, and the Art Nouveau style.
The Pombaline style is a secular, utilitarian architecture marked by pragmatism. It follows the Plain style of the military engineers, with regular, rational arrangements, mixed with Rococo details and a Neo-classical approach to structure. The Baixa district of Lisbon was rebuilt by Eugénio dos Santos and Carlos Mardel. The Marquis of Pombal ...
Zack from Real Estate License Wizard is a fan of the residential architecture in New Orleans, “The Spanish-style bungalows, Greek Revival Mansions, and Creole cottages make New Orleans an ...
All of which show off the church's Medieval and Gothic architectural styles. The interior appeals to the idea of maximizing light through the grand arched windows towards the ceiling of the church, light-colored paint on the walls and ceiling, as well as the lantern tower which offers more light to the interior of the church.
In 1895, three young Haitians—Georges Baussan, Léon Mathon, and Joseph-Eugène Maximilien—traveled to Paris to study architecture, were inspired to build upon the nascent architectural movement, and modified the style to the climate in Haiti by designing homes with vibrant patterns and flamboyant colors of French resort architecture.