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Victory Salute, commonly referred to as the Olympic Black Power Statue, is a monument depicting the 1968 Olympics Black Power salute performed by African-American athletes Tommie Smith and John Carlos. The monument consists of two fiberglass statues covered in ceramic tiles, atop a concrete base designed to emulate the Olympic podium.
Black Male: Representations of Masculinity in Contemporary Art was a landmark [1] exhibition held at New York's Whitney Museum of American Art from November 10, 1994 until March 5, 1995. Organized by curator Thelma Golden , Black Male was a survey of the changing representations of black masculinity in contemporary art from the 1970s to the 1990s.
Criticism was the subject of a work by American conceptual artist Glenn Ligon, Notes on the Margins of the Black Book (1991–1993). Ligon juxtaposes Mapplethorpe's 91 images of black men in the 1988 publication Black Book with critical texts and personal reactions about the work to complicate the racial undertones of the imagery. [56] American ...
In honor of People magazine’s annual “Sexiest Man Alive” issue, which features Jamie Foxx, Usher, and Lenny Kravitz, the publication has shared its top picks for the sexiest men in sports ...
Louise (Jennifer Hudson) in Sex and the City (2008), where Carrie Bradshaw's emotional recuperation depends entirely on the labor of her plucky black personal assistant, who is disengaged from the storyline as soon as Carrie starts to feel better.
On July 9, 2008, BBC Four broadcast a documentary, Black Power Salute, by Geoff Small, about the protest. In an article, Small noted that the athletes of the British team attending the 2008 Olympics in Beijing had been asked to sign gagging clauses which would have restricted their right to make political statements but that they had refused.
Trailblazing model Renauld White, the first Black man to appear on the cover of GQ magazine, died Friday at age 80. He was an actor as well as a model.
The beginning of Black presence in American film, started with the concept of "blackface". Instead of hiring Black actors to play Black characters, White actors would paint their faces black and accentuate their lips by covering them with bright red lipstick. Their outer appearance reflected White society's curiosity around Blackness.