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Several editors have expressed support for the idea that objective criteria are necessary for establishing TV Episode Notability. This page is the beginning of an effort to define objective criteria. For the purposes of this discussion, it is assumed that TV episodes do not inherit notability from being a part of a notable series.
In the November 1981 issue of Management Review (AMA Forum), George T. Doran's paper titled "There's a S.M.A.R.T. way to write management's goals and objectives" introduces a framework for setting management objectives, emphasizing the importance of clear goals. [1] [5] The S.M.A.R.T. criteria he proposes are as follows:
Classifications for each program broadcast on TV, are decided upon by trained classification officers at each network. If viewers believe a network has breached the TV Code of Practice (an incorrect classification have been given, for example), viewers can submit a complaint to Free TV Australia, who then submit that complaint to the network.
Television advertising involves three main tasks: creating a television advertisement that meets broadcast standards, placing the advertisement on television to reach the desired customer and then measuring the outcomes of these ads, including the return on investment.
Industry Standard Coding Identification (ISCI; / ˈ ɪ z k i / IZ-kee), also known as Industry Standard Commercial Identification) was a standard created to identify commercials that aired on TV in the United States, for ad agencies and advertisers from 1970.
The WGA, originally the Screen Writers Guild, has since 1941 been the final arbiter of who receives credit for writing a theatrical, television or new media motion picture written under its jurisdiction. The system has rules on how writers should be billed during the credits. A variety of credit forms can be given to indicate technicalities ...
Advertising campaigns are built to accomplish a particular objective or a set of objectives. Such objectives usually include establishing a brand, raising brand awareness, and aggrandizing the rate of conversions/sales. The rate of success or failure in accomplishing these goals is reckoned via effectiveness measures.
Bottle episodes are usually shot on sets built for other episodes, frequently the main interior sets for a series, and consist largely of dialogue and scenes for which no special preparations are needed. They are commonly used when one script has fallen through and another has to be written at short notice, or because of budgetary constraints. [1]