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Islamic and Mujédar stucco decoration followed the main types of ornamentation in Islamic art: geometric, arabesque or vegetal, and calligraphic motifs. [ 3 ] [ 2 ] Three-dimensional muqarnas was often also carved in stucco, [ 24 ] [ 7 ] most typically found as transitional elements on vaults, domes, capitals, friezes, and doorways.
The Noor Cultural Centre was an Islamic cultural centre located in the Don Mills neighbourhood in Toronto, Ontario, Canada, on the east side of the Don Valley Parkway just north of Eglinton Avenue. As of October 2021, the location was sold after 18 months of continuous lockdowns due to the pandemic, and the organization now maintains its ...
In the western Islamic world, muqarnas decoration was definitively introduced during the reign of the Almoravid emir Ali ibn Yusuf. [ 1 ] [ 36 ] The earliest examples, although limited to small details of larger domes, are found in the Almoravid Qubba in Marrakesh , Morocco, built probably in 1117 or 1125, [ 36 ] [ 37 ] and in the stucco ...
The Aga Khan Museum is a museum of Islamic art located at 77 Wynford Drive in the North York district of Toronto, Ontario, Canada. [1] The museum is dedicated to Islamic art and objects, and it houses approximately 1,200 rare objects assembled by Shah Karim al-Husayni and Prince Sadruddin Aga Khan.
Its simple decoration includes tilework; the clock faces visible today were added at a later period. The mihrab has a more traditional western Islamic form, with a horseshoe-arch shape and stucco decoration, although the decoration around it is crowned with Ottoman-style half-medallion and quarter-medallion shapes.
Islamic ornament is the use of decorative forms and patterns in Islamic art and Islamic architecture. Its elements can be broadly divided into the arabesque , using curving plant-based elements, geometric patterns with straight lines or regular curves, and calligraphy , consisting of religious texts with stylized appearance, used both ...
[67] [68] [3] The three types (Styles A, B, and C) of stucco decoration best exemplified, and perhaps developed, in Abbasid Samarra were quickly imitated elsewhere and Style C, which itself remained common in the Islamic world for centuries, was an important precursor to fully developed arabesque decoration.
Islamic decoration and craftsmanship had a significant influence on Western art when Venetian merchants brought goods of many types back to Italy from the 14th century onwards. [ 59 ] The Dutch artist M. C. Escher was inspired by the Alhambra 's intricate decorative designs to study the mathematics of tessellation , transforming his style and ...