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Umro Ayyar or Amar Ayyar is a fictional character, an ayyār, [a] in Tilism-e-Hoshruba, an Urdu recension of the Islamic epic Hamzanama (originally in Persian). He was first written about during the time of Mughal Emperor Akbar and many stories and novels have been written about him since.
This article lists Urdu-language films in order by year of production.Below films are mostly from Pakistan along with some Indian Urdu movies. For a full list of Pakistani films, including Punjabi language, Bengali language films and Urdu see List of Pakistani films.
According to the Tanakh, עזה, Uzzah or Uzza, meaning "Her Strength", was an Israelite whose death is associated with touching the Ark of the Covenant. The account of Uzzah appears in two places in scripture: 2 Samuel 6:3-8 [ 1 ] and 1 Chronicles 13:7-11.
Yalghaar (English: "Assault" or "Attack"; previously known as Delta Echo Foxtrot) [1] is a 2017 Pakistani war-epic film directed by Hassan Rana. [2] The film is produced by MindWorks Media and is based on the true story of Pakistan Army's Swat Operation. [3] Yalghaar was facilitated by Brigadier Syed Mujtaba Tirmizi from Inter-Services Public ...
Na Maloom Afraad (lit.Unidentified People) is a 2014 Pakistani action comedy film co-written and directed by Nabeel Qureshi in his directorial debut. [3] It stars Javed Sheikh, Fahad Mustafa, Mohsin Abbas Haider with supporting cast of Urwa Hocane, Kubra Khan and Salman Shahid. [4]
1 Chronicles 1 is the first chapter of the Books of Chronicles in the Hebrew Bible or the First Book of Chronicles in the Old Testament of the Christian Bible. [1] [2] The book is compiled from older sources by an unknown person or group, designated by modern scholars as "the Chronicler", and had the final shape established in late fifth or fourth century BCE. [3]
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In a 2004 review of the film's DVD release, John Beifuss of The Commercial Appeal called the film "arguably the find of the year, for cult movie fans", writing: "A mind-bending fusion of Hammer-style vampirism with the exotic song-and-dance numbers that are all but mandatory for movies made in Pakistan and India, [Zinda Laash] is both derivative and innovative, campy and scary."