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  2. Faux painting - Wikipedia

    en.wikipedia.org/wiki/Faux_painting

    Marbleizing or faux marbling is used to make walls and furniture look like real marble. This can be done using either plaster or glaze techniques. Fresco is a simple technique, uses mixtures of tint and joint compound to add mottled color and subtle texture to plain walls,

  3. Marbleizing - Wikipedia

    en.wikipedia.org/wiki/Marbleizing

    It is typically used in buildings where the cost or weight of genuine marble would be prohibitive. Faux marbling is a special case of faux painting used to create the distinctive and varied patterns of marble - the most imitated stone by far. Faux painting by Andre' Martinez in the Colorado State Capitol 2005 Giotto, Scrovegni Chapel.

  4. Scagliola - Wikipedia

    en.wikipedia.org/wiki/Scagliola

    Scagliola is a composite substance made from plaster of Paris, glue and natural pigments, imitating marble and other hard stones. The material may be veined with colors and applied to a core, or desired pattern may be carved into a previously prepared scagliola matrix.

  5. How To Make Stained Marble Look New Again - AOL

    www.aol.com/stained-marble-look-again-121400809.html

    How to Create a Poultice for Marble Stains A poultice is a thick paste, usually made from baking soda and water. When applied and left to set, it will typically pull the stain out of the marble in ...

  6. Polished plaster - Wikipedia

    en.wikipedia.org/wiki/Polished_plaster

    The term covers a whole range of decorative plaster finishes, from the very highly polished Venetian plaster and Marmorino to the rugged look of textured polished plasters. [1] Polished plaster itself tends to consist of slaked lime, marble dust, and/or marble chips, which give each plaster its distinctive look. A lime-based polished plaster ...

  7. Pompeian Styles - Wikipedia

    en.wikipedia.org/wiki/Pompeian_Styles

    The marble-like look was acquired by the use of stucco moldings, which caused portions of the wall to appear raised. [5] Other simulated elements (e.g. suspended alabaster discs in vertical lines, 'wooden' beams in yellow and 'pillars' and 'cornices' in white), and the use of vivid color, were considered signs of wealth.

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