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Michelangelo Merisi da Caravaggio (also Michele Angelo Merigi or Amerighi da Caravaggio; / ˌ k ær ə ˈ v æ dʒ i oʊ /, US: /-ˈ v ɑː dʒ (i) oʊ /; Italian: [mikeˈlandʒelo meˈriːzi da (k)karaˈvaddʒo]; 29 September 1571 [2] – 18 July 1610), known mononymously as Caravaggio, was an Italian painter active in Rome for most of his artistic life.
The Cardsharps (painted around 1594) is a painting by the Italian Baroque artist Michelangelo Merisi da Caravaggio. The original is generally agreed to be the work acquired by the Kimbell Art Museum in 1987, although Caravaggio may have painted more than one version.
Caravaggio, born Michelangelo Merisi da Caravaggio (also Michele Angelo Merigi or Amerighi da Caravaggio; / ˌ k ær ə ˈ v æ dʒ i oʊ /, US: /-ˈ v ɑː dʒ (i) oʊ /; Italian: [mikeˈlandʒelo meˈriːzi da (k)karaˈvaddʒo]; 29 September 1571 [1] – 18 July 1610), was an Italian painter active in Rome for most of his artistic life.
The contract signed on 24 September 1600 stipulates that "the distinguished painter, Michelangelo Merisi da Caravaggio" will paint two large cypress panels, ten palms high and eight palms wide, representing the conversion of Saint Paul and the martyrdom of Saint Peter within eight months for the price of 400 scudi. The contract gave a free hand ...
Martha and Mary Magdalene (c. 1598) is a painting by the Italian Baroque master Michelangelo Merisi da Caravaggio. It is in the Detroit Institute of Arts. Alternate titles include Martha Reproving Mary, The Conversion of the Magdalene, and the Alzaga Caravaggio.
The contract signed on 24 September 1600 stipulates that "the distinguished painter, Michelangelo Merisi da Caravaggio" will paint two large cypress panels, ten palms high and eight palms wide, representing the conversion of Saint Paul and the martyrdom of Saint Peter within eight months for the price of 400 scudi. The contract gave a free hand ...
The Annunciation is an oil painting by the Italian master Michelangelo Merisi da Caravaggio, finished around 1608.It housed in the Musée des Beaux-Arts de Nancy.. The painting has been considerably damaged and retouched, and what remains of Caravaggio's brushwork is the angel, who bears a resemblance to the figure in John the Baptist at the Fountain.
A model attribution edit summary is Content in this edit is translated from the existing Italian Wikipedia article at [[:it:Cena in Emmaus (Caravaggio Londra)]]; see its history for attribution. You may also add the template {{Translated|it|Cena in Emmaus (Caravaggio Londra)}} to the talk page. For more guidance, see Wikipedia:Translation.