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Dissociation of sensibility is a literary term first used by T. S. Eliot in his essay "The Metaphysical Poets". [1] It refers to the way intellectual thought was separated from the experience of feeling in poetry during the course of the seventeenth century.
Dissociation is commonly displayed on a continuum. [18] In mild cases, dissociation can be regarded as a coping mechanism or defense mechanism in seeking to master, minimize or tolerate stress – including boredom or conflict. [19] [20] [21] At the non-pathological end of the continuum, dissociation describes common events such as daydreaming.
Emotional detachment can also be "emotional numbing", [18] "emotional blunting", i.e., dissociation, depersonalization or in its chronic form depersonalization disorder. [19] This type of emotional numbing or blunting is a disconnection from emotion, it is frequently used as a coping survival skill during traumatic childhood events such as ...
The implications here separate Eliot's idea of talent from the conventional definition (just as his idea of Tradition is separate from the conventional definition), one so far from it, perhaps, that he chooses never to directly label it as talent. The conventional definition of talent, especially in the arts, is a genius that one is born with.
dissociation of sensibility dissonance distich distributed stress dithyramb diverbium The spoken dialogue in Roman drama, as distinguished from the canticum, the sung part. [2] divine afflatus doggerel dolce stil nuove domestic tragedy. Also called bourgeois tragedy.
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The theory of the objective correlative as it relates to literature was largely developed through the writings of the poet and literary critic T.S. Eliot, who is associated with the literary group called the New Critics.
Kate Winslet, Emma Thompson, Greg Wise, Ang Lee and more gathered for a 25th anniversary reunion celebrating "Sense and Sensibility." Kate Winslet remembers fainting on the set of 'Sense and ...