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Boston organizes human nature into four aspects: Primitive Integrity, Entire Depravity, Begun Recovery, and Consummate Happiness or Misery. They correspond to Augustine of Hippo's four own figured states: able to sin (posse peccare), not able not to sin (non posse non peccare), able not to sin (posse non peccare), unable to sin (non posse peccare).
A proximate occasion of sin can be in se or per accidens. There is a debate between laxists and rigorists as to whether an occasion of sin is one which leads to sin systematically, occasionally or even just potentially. [17] Thus, Catholic bishop Jean-Joseph Gaume argued that there is a proximate occasion of sin in "every occasion that leads to ...
This glossary of biology terms is a list of definitions of fundamental terms and concepts used in biology, the study of life and of living organisms.It is intended as introductory material for novices; for more specific and technical definitions from sub-disciplines and related fields, see Glossary of cell biology, Glossary of genetics, Glossary of evolutionary biology, Glossary of ecology ...
A mortal sin (Latin: peccātum mortāle), in Christian theology, is a gravely sinful act which can lead to damnation if a person does not repent of the sin before death. It is alternatively called deadly, grave, and serious; the concept of mortal sin is found in both Catholicism and Lutheranism .
According to the classical definition of St. Augustine of Hippo sin is "a word, deed, or desire in opposition to the eternal law of God." [12] [13] Thus, sin requires redemption, a metaphor alluding to atonement, in which the death of Jesus is the price that is paid to release the faithful from the bondage of sin. [14]
Depiction of the sin of Adam and Eve (The Garden of Eden with the Fall of Man by Jan Brueghel the Elder and Pieter Paul Rubens). Original sin (Latin: peccatum originale) in Christian theology refers to the condition of sinfulness that all humans share, which is inherited from Adam and Eve due to the Fall, involving the loss of original righteousness and the distortion of the Image of God. [1]
The theme of God's "death" became more explicit in the theosophism [clarification needed] of the 18th- and 19th-century mystic William Blake.In his intricately engraved illuminated books, Blake sought to throw off the dogmatism of his contemporary Christianity and, guided by a lifetime of vivid visions, examine the dark, destructive, and apocalyptic undercurrent of theology.
Knowledge of the seven deadly sin concept is known through discussions in various treatises and also depictions in paintings and sculpture, for example architectural decorations on certain churches of certain Catholic parishes and also from certain older textbooks. [1] Further information has been derived from patterns of confessions.