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An art movement is a tendency or style in art with a specific art philosophy or goal, followed by a group of artists during a specific period of time, (usually a few months, years or decades) or, at least, with the heyday of the movement defined within a number of years. Art movements were especially important in modern art, when each ...
Synchromism was an art movement founded in 1912 by American artists Stanton Macdonald-Wright (1890–1973) and Morgan Russell (1886–1953). Their abstract "synchromies," based on an approach to painting that analogized color to music, were among the first abstract paintings in American art.
See Art periods for a chronological list. This is a list of art movements in alphabetical order. These terms, helpful for curricula or anthologies, evolved over time to group artists who are often loosely related. Some of these movements were defined by the members themselves, while other terms emerged decades or centuries after the periods in ...
One of its essential features was the line, in sinuous contours of organic appearance, a fluid and dynamic, stylized line, in which representation passes from naturalism to analogy. It reclaims the two-dimensionality inherent to painting, abandoning perspective and the representation of an illusory space, gravity, the three-dimensional appearance.
Op art is a perceptual experience related to how vision functions. It is a dynamic visual art that stems from a discordant figure-ground relationship that puts the two planes—foreground and background—in a tense and contradictory juxtaposition. Artists create op art in two primary ways.
Klint’s art blends bright colors squeezed straight, geometric shapes, and deep symbolism to reveal spiritual themes, making her a pioneer in the abstract movement. Sadly, many in the art world ...
An art movement is a tendency or style in the visual arts with a specific common stylistic approach, philosophy or goal, followed by a group of artists during a restricted period of time. See also: Category:Art by period of creation
Relational art or relational aesthetics is a mode or tendency in fine art practice originally observed and highlighted by French art critic Nicolas Bourriaud.Bourriaud defined the approach as "a set of artistic practices which take as their theoretical and practical point of departure the whole of human relations and their social context, rather than an independent and private space."