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The Gloria Patri, also known in English as the Glory Be to the Father or, colloquially, the Glory Be, is a doxology, a short hymn of praise to God in various Christian liturgies. It is also referred to as the Minor Doxology (Doxologia Minor) or Lesser Doxology , to distinguish it from the Greater Doxology, the Gloria in Excelsis Deo .
Músicas para Louvar ao Senhor (translated Songs to Praise the Lord) is an album by the Brazilian Catholic priest, Padre Marcelo Rossi. Father Rossi's first live album, it was recorded on July 18 and 19, 1998, during masses held at the Santuário Terço Bizantino in São Paulo. It was released in September 1998 by Polygram do Brazil. [1]
Alda Neves da Graça do Espírito Santo (30 April 1926 – 9 March 2010 [1]), known as Alda do Espírito Santo or Alda Graça, was a poet from São Tomé and Príncipe working in the Portuguese language. She also served in the Santomean government after the country's independence.
Gloria in excelsis Deo. à 5 Voci. 3 Trombe Tymp. 2 Trav 2 Hautb. 2 Violini Viola e Cont. Di J.S.B. in Bach's own handwriting. The cantata is festively scored for soprano and tenor soloists and an unusual five-part choir (with a dual soprano part) , three trumpets , timpani , two flauto traverso , two oboes , two violins , viola , and basso ...
Cardinal Angelo Scola holding the Blessed Sacrament in Venice, 16 July 2005 . The Divine Praises or Laudes Divinae (informally known as Blessed be God) is an 18th-century Roman Catholic expiatory prayer.
Messa di Gloria is a nine movement mass, composed by Gioacchino Rossini for the Arciconfraternità di San Luigi. [1] First performed on 24 March 1820 in the Chiesa di San Ferdinando in Naples , it is in the traditional form of a "Gloria" mass, that is a setting of the first two prayers of the Catholic mass , the Kyrie and Gloria .
Gloria in excelsis Deo is an example of the psalmi idiotici ("private psalms", i.e., compositions by individuals in imitation of the biblical Psalter) that were popular in the 2nd and 3rd centuries. Other surviving examples of this lyric poetry are the Te Deum and the Phos Hilaron . [ 4 ]
As with other choral pieces the composer, Vivaldi, wrote many introduzioni (introductory motets) that were to be performed before the Gloria itself. Four introduzioni exist for these Glorias: Cur Sagittas (RV 637), Jubilate, o amoeni cori (RV 639) (the last movement of which is compositionally tied with the first movement of RV 588), Longe Mala, Umbrae, Terrores (RV 640), and Ostro Picta (RV 642).