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Biography of Kalidasa; Works by Kalidasa at Project Gutenberg; Works by or about Kalidasa at the Internet Archive; Clay Sanskrit Library publishes classical Indian literature, including the works of Kalidasa with Sanskrit facing-page text and translation. Also offers searchable corpus and downloadable materials.
It is widely regarded as the finest work of Kalidasa as well as the greatest kāvya poem in Classical Sanskrit. [ 1 ] [ 2 ] The style of description of spring set the standard for nature metaphors pervading many centuries of Indian literary tradition. [ 3 ]
A poem of 120 [3] stanzas, it is one of Kālidāsa's most famous works.The work is divided into two parts, Purva-megha and Uttara-megha. It recounts how a yakṣa, a subject of King Kubera (the god of wealth), after being exiled for a year to Central India for neglecting his duties, convinces a passing cloud to take a message to his wife at Alaka on Mount Kailāsa in the Himālaya mountains. [4]
Raghuvaṃśa (Devanagari: रघुवंशम्, lit. 'lineage of Raghu') is a Sanskrit epic poem by the celebrated Sanskrit poet Kalidasa.Though an exact date of composition is unknown, the poet is presumed to have flourished in the 5th century CE. [1]
The Mālavikāgnimitram (Sanskrit, meaning Mālavikā and Agnimitra) is a Sanskrit play by Kālidāsa. Based on some events of the reign of Pushyamitra Shunga , [ 1 ] it is his first play. Mālavikāgnimitram tells the story of the love of Agnimitra , the Shunga Emperor at Vidisha , [ 2 ] for the beautiful handmaiden of his chief queen.
But scholars like Keith argue that excepts from this work are quoted in several Sanskrit anthologies, hence it must be that commentators like Mallinatha didn't like simple works. Academics like V.V. Mirashi and N.R Navlekar conclude that Ritusamharam is indeed Kalidasa's work, albeit from his younger days. [10]
The classical theory of Sanskrit drama, known as Natyaśāstra makes it a rule that the plot of a Sanskrit drama 'must be famous'. Accordingly, authors of Sanskrit plays use the stories from Purāṇas, Vedic texts and classic epics, namely Mahābhārata and Rāmāyaṇa for developing plays. However, the core objective of a drama is entertainment.
Shakuntala (Sanskrit: शकुन्तला, romanized: Śakuntalā) is a heroine in Indian literature, best known for her portrayal in the ancient Sanskrit play Abhijnanashakuntalam (The Recognition of Shakuntala), written by the classical poet Kalidasa in the 4th or 5th century CE.