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Mudflap Girl is a silhouette of a woman with an hourglass body shape, sitting, leaning back on her hands, with her hair being blown in the wind. The image was created in the 1970s and was popularized on mudflaps. Subsequently, it went on to be featured on other American trucking accessories [1] as well as on clothing, jewelry, and personal ...
A tale circulated in the 18th century of a young woman from Corinth who, based on the shadow cast by a lamp, drew the outline of her lover's face on the wall. This story, The Corinthian Maid, of a potter's daughter helped to generate interest in silhouette painting in that period. [7] John Miers was known as the best silhouette painter by many ...
A traditional silhouette portrait of the late 18th century. A silhouette (English: / ˌ s ɪ l u ˈ ɛ t /, [1] French:) is the image of a person, animal, object or scene represented as a solid shape of a single colour, usually black, with its edges matching the outline of the subject. The interior of a silhouette is featureless, and the ...
This positron emission tomography scan of a woman has a similar effect when viewed spinning. These results can be explained by a psychological study providing evidence for a viewing-from-above bias that influences observers' perceptions of the silhouette. [4] [5] Kayahara's dancer is presented with a camera elevation slightly above the ...
An iconic Gibson Girl portrait by its creator, Charles Dana Gibson, circa 1891 The Gibson Girl was the personification of the feminine ideal of physical attractiveness as portrayed by the pen-and-ink illustrations of artist Charles Dana Gibson during a 20-year period that spanned the late 19th and early 20th centuries in the United States. [1]
Face to face with the woman who is Tretchi's Chinese Girl" at Mail & Guardian "'Chinese Girl': The Mona Lisa of kitsch" at The Independent "'I never made money from the Green Lady,' says Tretchikoff's model" at The Guardian "Gaze of the Green Lady" at BBC News "I was the Chinese Girl in Tretchikoff's painting" BBC News.
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The very long pointed bodice of c. 1663 is shown clearly in this portrait of a woman playing a viola de gamba. The sleeve is pleated into the dropped shoulder and into the cuff. Young woman with elaborate 1663 hairstyle. Corkscrew curls frame her head and cascade onto her shoulders.