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Masks attend to honor the deceased and to verify that the spirit of the deceased merits admission into the world of ancestors. Without a proper funeral the spirit remains near the home and causes trouble for his/her descendants. Masks are often carved of the wood of Ceiba pentandra, the faux kapokier. They are carved in three major styles that ...
Additionally, the experience of ritual mask-wearing is related to the alleviation of sexual and social anxieties that result from the boy moving from his childhood home and away from his mother. [5] Within some portions of northern Nigeria, Igbo communities continue to utilize masquerade events in order to maintain connections with the deceased.
Female masks of the Punu people of Gabon, for example, have long curved eyelashes, almond-shaped eyes, thin chin, and traditional ornaments on their cheeks, as all these are considered good-looking traits. [17] Feminine masks of the Baga people have ornamental scars and breasts. In many cases, wearing masks that represent feminine beauty is ...
The main types of masks included masks with a stick (which one could hold to keep the mask in front of their face), the head mask, the full-face mask, and the half face mask. [7] Masquerade masks have been used in classics such as The Phantom of the Opera, Romeo and Juliet, Lone Ranger, and Gossip Girl. They are still used in many types of ...
Mexican mask-folk art refers to the making and use of masks for various traditional dances and ceremony in Mexico. Evidence of mask making in the region extends for thousands of years and was a well-established part of ritual life in the pre-Hispanic territories that are now Mexico well before the Spanish conquest of the Aztec Empire occurred.
The Benin ivory mask is a miniature sculptural portrait in ivory of Idia, the first Iyoba (Queen Mother) of the 16th century Benin Empire, taking the form of a traditional African mask. [1] The masks were looted by the British from the palace of the Oba of Benin in the Benin Expedition of 1897 .
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