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Although tempo is described or indicated in many different ways, including with a range of words (e.g., "Slowly", "Adagio", and so on), it is typically measured in beats per minute (bpm or BPM). For example, a tempo of 60 beats per minute signifies one beat per second, while a tempo of 120 beats per minute is twice as rapid, signifying two ...
Slow and dignified tempo Largamente: broadly: Slow and dignified tempo Larghetto: broad-ish: Slightly less dignified than largo (so slightly faster tempo) Lento: slow: Slow tempo Lentando: slowing: Decelerating, slowing down L'istesso tempo: the same time: At the same tempo Moderato: moderate: Moderate tempo Mosso: moved, agitated: Agitated Presto
In time (i.e. the performer should return to the stable tempo, such as after an accelerando or ritardando); also may be found in combination with other terms such as a tempo giusto (in strict time) or a tempo di menuetto (at the speed of a minuet) ab (Ger.) off, organ stops or mutes abafando (Port.) muffled, muted abandon or avec (Fr.)
Presto = 116 2 2: D Molto vivace 3 4: d Presto 2 2: D Movement III Adagio molto e cantabile = 60 4 4: B ♭ Andante moderato = 63 3 4: D Tempo I: 4 4: B ♭ Andante moderato 3 4: G Adagio 4 4: E ♭ Lo stesso tempo: 12 8: B ♭ Movement IV Presto . = 96 [33] 3 4: d Allegro assai = 80 4 4: D Presto ("O Freunde") 3 4: d Allegro assai ("Freude ...
In classical music, tempo is typically indicated with an instruction at the start of a piece, often using conventional Italian, French or German terms. Common tempo markings, from slow to fast: Italian: Largo • Adagio • Lento • Andante • Moderato • Allegro • Vivace • Presto French: Grave • Lent • Modéré • Vif • Vite ...
Canada’s greatest power trio was assembled slowly, one piece at a time. Toronto guitarist Alex Lifeson co-founded Rush as a teenager in 1968, and a few months later, invited a childhood friend ...
A typical performance lasts approximately 33–45 minutes depending on the choice of tempo, and whether the repeats in the 1st, 3rd, and 4th movements are omitted The work as a whole is known for its use of rhythmic devices suggestive of a dance, such as dotted rhythm and repeated rhythmic figures. It is also tonally subtle, making use of the ...
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