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Rather, Mussell notes, that title likely goes to the newspaper. [7] Books were expensive; newspapers were cheap. [8] The average reader encountered literature through a journalistic middleman: as they do in the present day, 19th-century newspapers functioned as intermediaries between the elite world of letters and the popular audience. [8]
The dime novel is a form of late 19th-century and early 20th-century U.S. popular fiction issued in series of inexpensive paperbound editions. The term dime novel has been used as a catchall term for several different but related forms, referring to story papers, five- and ten-cent weeklies, "thick book" reprints, and sometimes early pulp magazines.
This is a list of British periodicals established in the 19th century, excluding daily newspapers.. The periodical press flourished in the 19th century: the Waterloo Directory of English Newspapers and Periodicals plans to eventually list more 100,000 titles; the current Series 3 lists 73,000 titles. 19th-century periodicals have been the focus of extensive indexing efforts, such as that of ...
A broadside (also known as a broadsheet) is a single sheet of inexpensive paper printed on one side, often with a ballad, rhyme, news and sometimes with woodcut illustrations. They were one of the most common forms of printed material between the sixteenth and nineteenth centuries, particularly in Britain, Ireland and North America because they ...
The popularity of penny dreadfuls among British children was challenged in the 1890s by the rise of competing literature. Leading the challenge were popular periodicals published by Alfred Harmsworth. Priced at one half-penny, Harmsworth's story papers were cheaper and, at least initially, were more respectable than the competition. Harmsworth ...
He notes that "the essay is a literary device for saying almost everything about almost anything", and adds that "by tradition, almost by definition, the essay is a short piece". Furthermore, Huxley argues that "essays belong to a literary species whose extreme variability can be studied most effectively within a three-poled frame of reference".
In the later 19th century, the term took on the meaning of a slow form of popular love song and is often used for any love song, particularly the sentimental ballad of pop or rock music, although the term is also associated with the concept of a stylized storytelling song or poem, particularly when used as a title for other media such as a film.
The Romantic movement in English literature of the early 19th century has its roots in 18th-century poetry, the Gothic novel and the novel of sensibility. [6] [7] This includes the pre-Romantic graveyard poets from the 1740s, whose works are characterized by gloomy meditations on mortality, "skulls and coffins, epitaphs and worms". [8]