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The first statues and busts of the Buddha were made in the region around Mathura or Gandhara in the second or third century CE. [4] [5] Many statues and busts exist where the Buddha and other bodhisattvas have a mustache. Seated Buddha, Gandhara, 1st–2nd century CE, Tokyo National Museum Buddha depicted with urna, gilt bronze, 14th century
Head of the Buddha, crowned by the ushnisha, 3rd century, Hadda, Afghanistan. The Ushnisha is the thirty-second of the 32 major marks of the Buddha, wherein the Buddha is said to have a fleshy or cranial protuberance at the top of his head. It is sometimes elaborated that it is covered with hair that curls to the right.
The facial features of the prophet (arched eyebrows, fleshy jowls) are somewhat different from a traditional Chinese stone Buddha as well. [38] It is even said that the stone Mani the Buddha of Light used to have a mustache or sideburns, but they were removed by a 20th-century Buddhist monk, trying to make the statue more like a traditional Buddha.
He is almost always shown smiling or laughing, hence his nickname in Chinese, the "Laughing Buddha". [ b ] [ 3 ] [ 4 ] Budai is traditionally depicted as overweight and having a huge stomach (possibly a symbol of abundance or forgiveness) and many stories surrounding Budai involve his love of food and drink.
Buddha Dev (Life of Lord Buddha), a 1923 Indian silent film by Dhundiraj Govind Phalke, first depiction of the Buddha on film with Bhaurao Datar in the title role. [429] Prem Sanyas (The Light of Asia), a 1925 silent film, directed by Franz Osten and Himansu Rai based on Arnold's epic poem with Rai also portraying the Buddha. [429]
A Definition Etymology In other languages abhidhamma A category of scriptures that attempts to use Buddhist teachings to create a systematic, abstract description of all worldly phenomena abhi is "above" or "about", dhamma is "teaching" Pāli: abhidhamma Sanskrit: abhidharma Bur: အဘိဓမ္မာ abhidhamma Khmer: អភិធម្ម âphĭthômm Tib: ཆོས་མངོན་པ ...
Yamāntaka (meaning 'terminator of Yama i.e. Death') is the wrathful manifestation of Mañjuśrī, popular within the Gelug school of Tibetan Buddhism. Other variations upon his traditional form as Mañjuśrī include Namasangiti, Arapacana Manjushri, etc. In Tibetan Buddhism, Mañjuśrī is also an yidam.
Depiction of a parable from Barlaam and Josaphat at the Baptistery of Parma, Italy. The story of Barlaam and Josaphat or Joasaph is a Christianized and later version of the story of Siddhartha Gautama, who became the Buddha. [2]