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The Missa solemnis in D major, Op. 123, is a Solemn Mass composed by Ludwig van Beethoven from 1819 to 1823. It was first performed on 7 April 1824 in Saint Petersburg, Russia, under the auspices of Beethoven's patron Prince Nikolai Golitsyn; an incomplete performance was given in Vienna on 7 May 1824, when the Kyrie, Credo, and Agnus Dei were conducted by the composer. [1]
The portrait is in oil on canvas and shows Beethoven in a deep blue frock coat with a large white collar and red scarf. [1] His grey hair is "unruly, essentially uncombable". [1] He holds the manuscript of his Missa solemnis and appears to be writing. [1] In the background is a grape arbour. [2] The portrait is 72.0 by 58.5 centimetres (28.3 by ...
When "Missa solemnis" is used as a name, without referring to a composer, Beethoven's work is generally implied. Some of the greatest compositions in the genre have unique common names other than "Missa solemnis"—namely, Bach's Mass in B minor and Mozart's Great Mass in C minor.
Title page of Beethoven's symphonies from the Gesamtausgabe. The list of compositions of Ludwig van Beethoven consists of 722 works [1] written over forty-five years, from his earliest work in 1782 (variations for piano on a march by Ernst Christoph Dressler) when he was only eleven years old and still in Bonn, until his last work just before his death in Vienna in 1827.
The work is generally overshadowed by Beethoven's later Missa solemnis. [10] [11] The Penguin Guide to Compact Discs (2007 edition) calls the work a "long-underrated masterpiece", [11] [clarification needed] while Michael Moore wrote "it has a directness and an emotional content that the [Missa solemnis] sometimes lacks." [10]
Herbeck changed his opinion of the piece, claiming to know only two masses: this one and Beethoven's Missa solemnis. [8] [9] Franz Liszt and even Eduard Hanslick praised the piece. [9] A second performance occurred in the Hofmusikkapelle on 8 December 1873. [10] The manuscript is archived at the Austrian National Library. [11]
The first choral activities of the Musikverein go back to the initiative of Antonio Salieri, for example, taking part in the First Performance of Beethoven's Missa Solemnis and the Symphony No. 9 in 1824. The choir was founded in its present form in 1858. The first choir master was Johann von Herbeck until his transfer to the Vienna Court Opera.
In the first movement of Op. 131, the continually flowing texture resembles the earlier work's Benedictus and Dona Nobis Pacem. In addition, purposely or not, Beethoven quotes a motivic figure from Missa Solemnis in the quartet's second movement. A week before Schubert's death, Holz and his string quartet visited to play for him. The last ...