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Othello, Act I, scene iii [ edit ] James Earl Jones performs a soliloquy by Othello from Act I, scene iii of Shakespeare 's Othello at the White House Evening of Poetry, Music, and the Spoken Word on May 12, 2009.
The title character of the play is Desdemona, the wife of the title character in Shakespeare's Othello. [1] The 2011 play arose from a collaboration between Morrison, director Peter Sellars, and musician Rokia Traoré. About a decade earlier, Morrison and Sellars had disagreed about Shakespeare’s play, which Sellars detested, but Morrison valued.
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Desdemona encounters Iago carrying buckets of filth, and Iago stirs jealousy in her. Desdemona believes Iago's claims that Constance is a witch who is after Othello's heart, and she resolves to kill her! Desdemona sees Othello give Constance a necklace, and her suspicions increase. Constance muses about what a strong woman Desdemona is.
The Nigerian poet Ben Okri in his 1997 A Way of Being Free included several "meditations" on Othello, arguing that because "it is possible that Othello actually is a blackened white man" he is not a fully formed character with a psychology but a "white myth or stereotype of black masculinity". [94]
Iago (/ i ˈ ɑː ɡ oʊ /) is a fictional character in Shakespeare's Othello (c. 1601–1604). Iago is the play's main antagonist, and Othello's standard-bearer.He is the husband of Emilia who is in turn the attendant of Othello's wife Desdemona.
Bryan Yeshion Schneps, a 21‑year‑old Temple University student, tried to prevent his attackers from gaining entry. He pressed his hands, his shoulders, his knees, his feet, the full weight of his 6'1", 180‑pound body against the door. But his stamina wore thin, and the door swung free. Bryan cried for help.
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