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The Mad Libs books were conceived around the same time as Strachey wrote the love letter generator. [3] It was also preceded by John Clark's Latin Verse Machine (1830-1843), the first automated text generator.
A code poem may be interactive or static, digital or analog. Code poems can be performed by computers or humans through spoken word and written text. Examples of code poetry include: poems written in a programming language, but human readable as poetry; computer code expressed poetically, that is, playful with sound, terseness, or beauty.
By 2015, it had become a free-to-use site for amateur poets, where poets submitting to Poetry.com granted the site "royalty-free, perpetual, irrevocable, non-exclusive right (including any moral rights) and license to use, license, reproduce, modify, adapt, publish, translate, create derivative works from, distribute, derive revenue or other ...
Digital poetry is a form of electronic literature, displaying a wide range of approaches to poetry, with a prominent and crucial use of computers. Digital poetry can be available in form of CD-ROM, DVD, as installations in art galleries, in certain cases also recorded as digital video or films, as digital holograms, on the World Wide Web or Internet, and as mobile phone apps.
Between Silk and Cyanide by Leo Marks, HarperCollins (1998), ISBN 0-00-255944-7.Marks was the Head of Codes at SOE and this book is an account of his struggle to introduce better encryption for use by field agents. it contains more than 20 previously unpublished code poems by Marks, as well as descriptions of how they were used and by whom.
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The Postmodernism Generator is a computer program that automatically produces "close imitations" of postmodernist writing. It was written in 1996 by Andrew C. Bulhak of Monash University using the Dada Engine, a system for generating random text from recursive grammars. [1] A free version is also hosted online.