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A man with a skeleton face stands over bloody corpses, wielding a whip. His hat and clothing are Bolshevik in style. Translated caption: "Bolshevism without a mask - large anti-Bolshevik exhibition of the NSDAP Gauleitung Berlin from November 6, 1937 to December 19, 1937 in the Reichstag building". Reason A jarring poster.
Totenkopf (German: [ˈtoːtn̩ˌkɔpf], i.e. skull, literally "dead person's head") is the German word for skull. The word is often used to denote a figurative, graphic or sculptural symbol, common in Western culture, consisting of the representation of a human skull – usually frontal, more rarely in profile with or without the mandible .
The death mask of 18th century sailor Richard Parker Golden funeral mask of Tutankhamun Posthumous portrait bust of Henry VII of England by Pietro Torrigiano, supposedly made using his death mask. A death mask is a likeness (typically in wax or plaster cast) of a person's face after their death, usually made by taking a cast or impression from ...
Finally, the face is "fleshed," meaning clay is added until the tissue thickness markers are covered, and any specific characterization is added (for example, hair, wrinkles in the skin, noted racial traits, glasses, etc.). The skull of Mozart was the basis of his facial reconstruction from anthropological data.
The facial skeleton comprises the facial bones that may attach to build a portion of the skull. [1] The remainder of the skull is the neurocranium . In human anatomy and development, the facial skeleton is sometimes called the membranous viscerocranium , which comprises the mandible and dermatocranial elements that are not part of the braincase.
The surface of the mask is covered in a very thin layer (approximately 30 nanometres) of two different alloys of gold: a lighter 18.4 karat shade for the face and neck, and 22.5 karat gold for the rest of the mask. [9] The face represents the pharaoh's standard image, and the same image was found by excavators elsewhere in the tomb, in ...
She was imbued with the drama and grandeur necessary to dazzle the subject people and to convey the image of an implacable state. The worship of death involved worship of life, while the skull – symbol of death – was a promise to resurrection. The Aztecs carved skulls in monoliths of lava, and made masks of obsidian and jade. Furthermore ...
The so-called 'Mask of Agamemnon', a 16th-century BC mask discovered by Heinrich Schliemann in 1876 at Mycenae, Greece, National Archaeological Museum, Athens The word "mask" appeared in English in the 1530s, from Middle French masque "covering to hide or guard the face", derived in turn from Italian maschera, from Medieval Latin masca "mask, specter, nightmare". [1]