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Scars of the Crucifix is the seventh studio album by Florida death metal band Deicide, released on February 23, 2004, as the band's first album on Earache Records. Background [ edit ]
The Stench of Redemption is the first Deicide album to have writing credits attributed to individual band members. While the album's riff-writing stays true to the Deicide's traditional sound, Ralph Santolla and Jack Owen utilize a neo-classical style of lead guitar playing, which is a drastic departure from the atonal shred style employed by ...
When London Burns is the first DVD released by Florida death metal band Deicide. It was released on March 7, 2006, by Earache Records. The extra features include a documentary entitled Behind the Scars, which discusses the production of the album Scars of the Crucifix. The Hoffman brothers left Deicide five days before the concert was recorded.
Doomsday L.A. is the second live DVD released by Deicide.It was released shortly after the Doomsday L.A. live EP was released on iTunes.The bonus material on the DVD includes interviews with the band members and the videos for "Homage For Satan" and "Desecration".
Glen Michael Benton [2] (born June 18, 1967) is an American musician, best known as the lead vocalist, lyricist and bassist for the Florida death metal band Deicide.. In addition to his work with Deicide, Benton was also a of member of the band Vital Remains, occasionally recording and performing with the band.
Once upon the Cross is the third studio album by Florida death metal band Deicide. It was released on April 17, 1995, by Roadrunner Records . The samples at the beginning of the opening track "Once upon the Cross" and "Trick or Betrayed" are taken from the film The Last Temptation of Christ .
Serpents of the Light is the fourth full-length album by Florida death metal band Deicide. It was released on October 21, 1997, by Roadrunner Records . Glen Benton stated that "Serpents of the Light" was written "about a friend of mine that died".
The album received mixed to positive reviews. Metal Injection said that "the album definitely belongs in the top half of Deicide's discography", [3] Decibel said that "by track four, it has already muscled its way into the upper echelons of the band’s storied discography", [6] but Exclaim! writer Joe Smith-Engelhardt called the album a "sore spot" in Deicide's career.