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A Bond girl is a character who is a love interest, female companion or (occasionally) an adversary of James Bond in a novel, film, or video game. Bond girls occasionally have names that are double entendres or sexual puns, such as Plenty O'Toole, Holly Goodhead, or Xenia Onatopp.
The first twenty films of the Bond series, with the exception of On Her Majesty's Secret Service, end with Bond embracing, kissing, or making love with the film's Bond girl. [172] Sometimes an embarrassed M catches Bond during these embraces. Most endings feature a double entendre and, in many of the films, the Bond girl purrs, "Oh, James."
The character's name follows in the tradition of other Bond girls names that are double entendres. Concerned about US censors, the producers thought about changing the character's name to "Kitty Galore", [ 9 ] but they and Hamilton decided "if you were a ten-year old boy and knew what the name meant, you weren't a ten-year old boy, you were a ...
Pussy Galore is a fictional character in the 1959 Ian Fleming James Bond novel Goldfinger and the 1964 film of the same name.In the film, she is played by Honor Blackman.The character returns in the 2015 Bond continuation novel Trigger Mortis by Anthony Horowitz, set in the 1950s, two weeks after the events of Goldfinger.
[1] A 2006 retrospective CBS featurette called her "stunning", ranking her as the 23rd best Bond girl. [7] She also placed 18th on the list of the Best Bond girls by LIFE, [3] while Fandango ranked her as 23rd. [4] Yahoo! Movies had her name included in the 2012 list of the best Bond girl names. [8]
James Bond is a fictional character created by British novelist Ian Fleming in 1953. A British secret agent working for MI6 under the codename 007, Bond has been portrayed on film in twenty-seven productions by actors Sean Connery, David Niven, George Lazenby, Roger Moore, Timothy Dalton, Pierce Brosnan, and Daniel Craig.
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Anna Katherine Amacker and Donna Ashley Moore suggest that Onatopp is a "direct throwback to the earlier style of Bond girl, complete with an innuendo-laden name and a blatant sexuality." [ 1 ] Robert A. Saunders suggests that she "personifies the hypersexualized archetype of the post-Soviet Russian woman ."