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Plains-style war bonnets are made out of eagle feathers because the eagle is considered by most tribes of the Interior Plains to be the greatest and most powerful of all birds. Under current United States federal legislation, the eagle feather law enables Native Americans to continue using eagle feathers in their traditional spiritual and ...
Other less common variants, such as the Marie Stuart Bonnet, with its heart-shaped brim, and the fanchon bonnet, with its very short brim and back curtain, made appearances in the realm of fashionable headwear. Bonnets could be made of a variety of materials. Bonnets formed from buckram and wire and covered with fashion fabric were very popular.
War bonnets, which usually include an array of feathers, are worn mostly by men in various Plains Indian cultures in the United States. They are linked to status, culture and ceremony, and have to be given as gifts as a mark of respect for the receiver.
As hats came back into style, bonnets were increasingly worn by women who wanted to appear modest in public, with the result that bonnets accumulated connotations of dowager wear and were dropped from fashion, except out on the prairies or country wear. The Gleaners, by Jean-François Millet, 1857: a cloth bonnet substitutes for a head kerchief
Chip bonnet; Gypsy bonnet – shallow to flat crown, saucer shaped, and worn by tying it on with either a scarf or sash, under the chin, or at the nape of the neck – nineteenth Century; Kiss-me-quick; Leghorn bonnet; Mourning bonnet; Poke bonnet – Early nineteenth century, "Christmas Carol" style, with a cylindrical crown and broad funnel brim
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They included Cherokee tear dresses and Seminole patchwork vests, incorporating features such as Plains Tribes-style beadwork. Her line also included innovative bras and lingerie as well as broomstick skirts. [57] The Indian Arts and Crafts Act of 1990 was passed by the United States Congress.
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