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Liturgy of St John Chrysostom, Op. 31 (Russian: Литургия Иоанна Златоуста), is a 1910 musical work by Sergei Rachmaninoff, one of his two major unaccompanied choral works (the other being his All-Night Vigil). The Divine Liturgy of St. John Chrysostom is the primary worship service of the Eastern Orthodox Church. [1]
Singing naturally developed from chanting but, unlike in the west, Orthodox music developed from a Greek musical background. Even though Orthodoxy has spread and its music adapted to its various regions, still Orthodox music is distinctive from European music.
In Russian practice for the latter cases the canon is often vestigial, consisting of no more than a selection of katabasia with refrains and doxology. The Greek equivalent of a Moleben is the Paraklesis, during which a full canon is still chanted. Canons may also be used in private prayer either as a regular part of a rule or for special needs.
Russian Liturgical Music is the musical tradition of the Russian Orthodox Church. This tradition began with the importation of the Byzantine Empire's religious music when the Kievan Rus' converted to Orthodoxy in 988.
Znamenny Chant is a unison, melismatic liturgical singing that has its own specific notation, called the stolp notation. The symbols used in the stolp notation are called kryuki (Russian: крюки, 'hooks') or znamëna (Russian: знамёна, 'signs'). Often the names of the signs are used to refer to the stolp notation.
During the first two or three centuries, Christian communities incorporated into their observances features of Greek music and the music of other cultures bordering on the eastern Mediterranean Sea. [4] As the early Church spread from Jerusalem to Asia Minor, North Africa, and Europe, it absorbed other musical influences.
The word hymn derives from Greek ὕμνος (hymnos), which means "a song of praise". [2] A writer of hymns is known as a hymnist. The singing or composition of hymns is called hymnody. Collections of hymns are known as hymnals or hymn books. Hymns may or may not include instrumental accompaniment. Polyhymnia is the Greco/Roman goddess of ...
Resisting the accommodation of Russian piety to the contemporary forms of Greek Orthodox worship, these Christians were anathematized, together with their ritual, in a Synod of 1666–67, producing a division in Eastern Europe between the Old Believers and those who followed the state church in its condemnation of the Old Rite.