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A medieval pageant is a form of procession traditionally associated with both secular and religious rituals, often with a narrative structure. Pageantry was an important aspect of medieval European seasonal festivals, in particular around the celebration of Corpus Christi , which began after the thirteenth century.
Pageant comes from the archaic word for the wagon stage, "pagyn.” It is a word used to describe the movable stage on which a scene of the processional religious play was performed. [2] The origin of the religious play began in medieval churches. The dramas began as a simple way to impart the message of the Bible to the people.
Hospitals in and around Canterbury from A History of the County of Kent (Victoria County History): Volume 2 (1926), pp. 209–216. The mirror of literature, amusement and instruction, Vol. 10, Issue 268; Aran Hurrell - Historian, MA Graduate in Medieval & Early Modern History, Head Tour Guide and Supervisor at Eastbridge Hospital.
Canterbury Renaissance Faire Oregon: Silverton; semi-permanent Village of Canterbury; Elizabethan England (1560–1600) 2009 3 stages, 6+ acres; parking–shuttle ≠ (07c) last two weekends in July 10k (2012) Canterbury Faire: Carolina Renaissance Festival [7] North Carolina: Huntersville; permanent site
A Pageant in Coventry. The Coventry Mystery Plays, or Coventry Corpus Christi Pageants, are a cycle of medieval mystery plays from Coventry, West Midlands, England, and are perhaps best known as the source of the "Coventry Carol".
The Mystery plays were banned nationally in the 16th century. Chester was the last to concede in 1578 and so became the longest-running cycle in medieval times. It was revived in 1951 for the Festival of Britain, and they have since been staged every five years. [5]
Archbishop's Palace, Charing, is an important heritage site dating back to the eighth century, and one of the earliest to be owned by the see of Canterbury. [1] The current palace dates back to the late thirteenth century with later additions and rebuilding, notably under Archbishop John Morton in the late fifteenth century who 'made great ...
Entry of John II of France and Joan I of Auvergne into Paris after their coronation at Reims in 1350, later manuscript illumination by Jean Fouquet. The ceremonies and festivities accompanying a formal entry by a ruler or their representative into a city in the Middle Ages and early modern period in Europe were known as the royal entry, triumphal entry, or Joyous Entry. [1]