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The Hurufiyya movement (Arabic: حروفية ḥurūfiyyah adjectival form ḥurūfī, 'of letters' of the alphabet) is an aesthetic movement that emerged in the second half of the twentieth century amongst artists from Muslim countries, who used their understanding of traditional Islamic calligraphy within the precepts of modern art.
Ibrahim El-Salahi (Arabic: إبراهيم الصلحي, born 5 September 1930) is a Sudanese painter, former public servant and diplomat.He is one of the foremost visual artists of the Khartoum School, [1] considered as part of African Modernism [2] and the pan-Arabic Hurufiyya art movement, that combined traditional forms of Islamic calligraphy with contemporary artworks. [3]
Hsu Yung Chin's calligraphy has been described as modern and postmodern, [1] because it breaks with traditional calligraphy's rules regarding form, color, materials, and subject matter in order to create a more visceral and contemporary aesthetic. [6]
First page of Paul's epistle to Philemon in the Rochester Bible (12th century). A modern calligraphic rendition of the word calligraphy (Denis Brown, 2006). Western calligraphy is the art of writing and penmanship as practiced in the Western world, especially using the Latin alphabet (but also including calligraphic use of the Cyrillic and Greek alphabets, as opposed to "Eastern" traditions ...
Modern Western calligraphy ranges from functional inscriptions and designs to fine-art pieces where the letters may or may not be readable. [1] [page needed] Classical calligraphy differs from type design and non-classical hand-lettering, though a calligrapher may practice both. [2] [3] [4] [5]
In contemporary times, debate emerged on the limits of this copyist tradition within the modern art scenes, where innovation is the rule, while changing lifestyles, tools, and colors are also influencing new waves of masters. [2] [28] Chinese calligraphy is being promoted in Chinese schools to counter character amnesia brought on by technology ...
Islamic calligraphy evolved primarily from two major styles: Kufic and Naskh, with numerous regional and stylistic variations. In the modern era, Arabic and Persian calligraphy have influenced modern art, particularly in the post-colonial Middle East, and have also inspired the fusion style known as calligraffiti. [9]
The most important component in the calligraphy's aesthetic quality is the pen, since the pen produces the subtle effects and designs. In calligraphy, black lines are generally produced with lampblack ink on a light background. For Ottoman calligraphy, the most common colors were yellow (zırnık); red, white, and gold.