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The silhouette changed once again as the Victorian era drew to a close. The shape was essentially an inverted triangle, with a wide-brimmed hat on top, a full upper body with puffed sleeves, no bustle, and a skirt that narrowed at the ankles [11] (the hobble skirt was a fad shortly after the end of the Victorian era). The enormous wide-brimmed ...
Exotic feathers and furs were more prominently featured in fashion than ever before, as haute couture was invented in Paris, the center of the Belle Époque, where fashion began to move in a yearly cycle. In Paris, restaurants such as Maxim's Paris achieved a new splendor and cachet as places for the rich to parade. Maxim's Paris was arguably ...
Steele, Valerie: Paris Fashion: A Cultural History, Oxford University Press, 1988; ISBN 0-19-504465-7; Takeda, Sharon Sadako, and Kaye Durland Spilker, Fashioning Fashion: European Dress in Detail, 1700–1915, Prestel USA (2010), ISBN 978-3-7913-5062-2; Tortora, Phyllis G. and Keith Eubank. Survey of Historic Costume. 2nd Edition, 1994 ...
Women's fashion in the Regency era started to change drastically. It popularized the empire silhouette, which featured a fitted bodice and high waist. This "new natural style" emphasized the beauty of the body's natural lines. Clothing became lighter and easier to care for than in the past.
Charles Frederick Worth at age 30 – he had already begun to build his reputation in Paris as a designer. Charles Frederick Worth was born on 13 October 1825 in the Lincolnshire market town of Bourne [9] to William and Ann Worth.
1840s Fashion Plates of men, women, and children's fashion from The Metropolitan Museum of Art Libraries; The Romantic Era: Fashions 1825–1845; 1840s Men's Fashions — c. 1840 Men's Fashion Photos (Daguerreotypes) with Annotations; Men's fashion plates of the 1840s at Victoriana.com