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Scholars believe that Bach did not conceive of the four orchestral suites as a set (in the way he conceived of the Brandenburg Concertos), since the sources are various, as detailed below. The Bach-Werke-Verzeichnis catalogue includes a fifth suite, BWV 1070 in G minor. However, this work is highly unlikely to have been composed by J. S. Bach. [2]
Orchestral Suite No. 1: C maj. 2Ob Bas Str Bc 31 1: 3 VII/1: 3 Ouverture Courante 2Gavotte Forlane 2Minuet 2Bourrée 2Passepied 01252: 1067 11. 1738–1739 Orchestral Suite No. 2: B min. Fl Str Bc 31 1: 24 VII/1: 27 Ouverture Rondeau Sarabande 2Bourrée 2Polonaise Minuet Badinerie 01253: 1068 11. c.1730 Orchestral Suite No. 3: D maj. 3Tr Tmp ...
Johann Sebastian Bach composed suites, ... Orchestral suites, BWV 1066–1069, also called overtures; Orchestral Suite in G minor, BWV 1070 (doubtful)
Dedication, Bach's manuscript. It is uncertain when most of the material for the Brandenburg Concertos was written. It is clear that the first movement of Concerto No. 1 (BWV 1046) was based on an introduction to Bach's 1713 cantata Was mir behagt, and the second and last may have been as well. [4]
BWV 1007 – Cello Suite No. 1 in G major; BWV 1008 – Cello Suite No. 2 in D minor; BWV 1009 – Cello Suite No. 3 in C major; BWV 1010 – Cello Suite No. 4 in E-flat major; BWV 1011 – Cello Suite No. 5 in C minor; BWV 1012 – Cello Suite No. 6 in D major
Schumann's publisher accepted his arrangements of the Bach violin sonatas in 1854, but rejected his Bach cello-suite arrangements. [18] His only cello-suite arrangement surviving is the one for Suite No. 3, discovered in 1981 by musicologist Joachim Draheim in an 1863 transcription by cellist Julius Goltermann.