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Dresden Venus (c. 1510–11), traditionally attributed to Giorgione but for which Titian completed at least the landscape.. The Venus of Urbino (also known as Reclining Venus) [1] is an oil painting by Italian painter Titian, depicting a nude young woman, traditionally identified with the goddess Venus, reclining on a couch or bed in the sumptuous surroundings of a Renaissance palace.
Portrait of Eleonora Gonzaga della Rovere is a 1538 painting by Titian, [1] now in the Uffizi in Florence alongside its pair, Portrait of Francesco Maria della Rovere, showing Eleonora's husband. It formed the prototype for some of his later portraits, such as that of Isabella of Portugal .
March 1538: commissioned by Guidobaldo II della Rovere ; References: The Most Famous Paintings of the World, 13 ; The complete paintings of Titian, 190; Venus of Urbino, Web Gallery of Art (English) Artsy artwork ID: titian-venus-of-urbino-1 ; RKDimages ID: 297545 ; HA! artwork ID: venus-de-urbino ; Florentine musea Inventario 1890 ID: 1437
Portrait of Francesco Maria della Rovere is an oil on canvas painting by Titian, from 1536-1538. It depicts Francesco Maria I della Rovere, Duke of Urbino. It is held now in the Uffizi, in Florence. Signed TITIANVS F.[ECIT], it forms a pair with the same artist's Portrait of Eleonora Gonzaga della Rovere, Francesco's wife, also in the Uffizi. [1]
Titian's reclining Venus of Urbino (1538), with a lapdog on the right, balancing the face on the left, is an erotic work. Although pre-figured by the Sleeping Venus (completed by Titian after Giorgione's death in 1510) Titian is credited with establishing the reclining female nude as an important subgenre in art.
One of the finest versions of the artist’s work, Venus and Adonis, is set to appear at Sotheby’s London auction on December 7. Renaissance masterpiece by Titian expected to fetch up to £12 ...
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The Metropolitan Museum of Art dates its version, which it calls Venus and the Lute Player, to c. 1565–70 (65 x 82 1/2 inches/165.1 x 209.6 cm), and attributes it to Titian and his workshop. It has been traced from the Cambridge version, and there may well have been a cartoon or a "studio version" for copying kept in Venice. [ 37 ]