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In the first several centuries of large Christian churches being built, the altar tended to be further forward (towards the congregation) in the sanctuary than in the later Middles Ages (a position to which it returned in the 20th century) and a large altarpiece would often have blocked the view of a bishop's throne and other celebrants, so decoration was concentrated on other places, with ...
C. Canigiani Holy Family; Cardinal of Portugal's Altarpiece; Castelfranco Madonna; Castello Roganzuolo Altarpiece; Certosa di Pavia Altarpiece; Chigi Altarpiece
The Passion of Christ is the most common subject in medieval altarpieces because of its importance to christians. It shows the sacrifice of Christ, commemorated in the Eucharist . The Nailloux altarpiece represents, from left to right: the Arrest , the Flagellation , the Crucifixion (main panel), the Entombment and the Resurrection of Christ.
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The triptych altarpiece was installed at the high altar of the Wittenberg City Parish Church of St. Mary's in 1547, one year after Luther's death, and it is believed to be consecrated by Johannes Bugenhagen, who was the pastor at St. Mary's church in Wittenberg and a good friend of Martin Luther. [2]
During the completion of this work in the Netherlands, to depict grisaille on the exterior of altarpieces was a tradition for artists. This tradition came from the Middle Ages, when sculpture was considered the chief medium for devotional art. In the fifteenth and sixteenth centuries, some places in Germany continued to see sculpture as ...