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Don't Be Cruel (Japanese: 酷くしないで, Hepburn: Hidoku Shinaide, Treat Me Gently, Please in Japan [2] [3]) is a Japanese yaoi manga series written and illustrated by Yonezou Nekota. It is serialized in the monthly manga magazine Magazine Be × Boy since 2006.
"Don't Be Cruel" is a song that was recorded by Elvis Presley and written by Otis Blackwell in 1956. [1] It was inducted into the Grammy Hall of Fame in 2002. In 2004, it was listed #197 in Rolling Stone's list of 500 Greatest Songs of All Time .
1998: Don't Be Cruel (Collectables label) 2000: Authorized Greatest Hits; 2004: The Essential Cheap Trick; 2005: Collection (Cheap Trick/In Color/Heaven Tonight) 2005: Cheap Trick Rock on Break Out Years: 1979 (Madacy Records) 2007: Super Hits (Sony Musical Special Products) 2007: Discover Cheap Trick (Epic/Legacy Records)
Otis Blackwell (February 16, 1931 – May 6, 2002) was an American songwriter whose work influenced rock and roll.His compositions include "Fever" (recorded by Little Willie John), "Great Balls of Fire" and "Breathless" (recorded by Jerry Lee Lewis), "Don't Be Cruel", "All Shook Up", and "Return to Sender" (with Winfield Scott; recorded by Elvis Presley), and "Handy Man" (recorded by Jimmy Jones).
Don't Be Cruel is the second studio album by American singer Bobby Brown. It was released in the United States on June 20, 1988, by MCA Records . MCA changed producers for this album and had Brown work with hit-making songwriting and production duo Babyface and L.A. Reid .
The Greatest Hits is the first compilation album by Cheap Trick.It contains many of Cheap Trick's popular songs, as well as a previously unreleased cover version of The Beatles' "Magical Mystery Tour", which according to the liner notes, was an outtake from the Lap of Luxury album.
Bobby Brown, however, heard a demo of the song and liked it instantly, which led to its inclusion on Don't Be Cruel. [3] Brown popularized the Roger Rabbit dance (aka the "backwards" running man), [citation needed] as performed in the music video for the song, [4] along with the Gumby-style hi-top fade. [5]
In this film, he sang, interspersed with his comic patter, the two eponymous songs – the first as a typical Cockney geezer outside a pub, the second (still outside the pub) as a less typical vegetable rights campaigner ("Don't be cruel to a vegetabuel").