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With his theory of accentuations of character, Andrey Lichko has contributed to the understanding of etiology of neuroses by proposing the concept of the so-called "locus of the least resistance" (locus minoris resistentiae) within the character structure.
locus classicus: a classic place: The most typical or classic case of something; quotation which most typifies its use. locus minoris resistentiae: place of less resistance: A medical term to describe a location on or in a body that offers little resistance to infection, damage, or injury. For example, a weakened place that tends to be reinjured.
It can be seen as a locus minoris resistentiae. A similar triangular area between circular fibres of the cricopharyngeus and longitudinal fibres of the esophagus is Lamier's triangle or Lamier-hackermann's area.
The Oxford Companion to Music describes three interrelated uses of the term "music theory": The first is the "rudiments", that are needed to understand music notation (key signatures, time signatures, and rhythmic notation); the second is learning scholars' views on music from antiquity to the present; the third is a sub-topic of musicology ...
The Theory and Technique of Electronic Music (2007) Max (software), Pure Data: Philip Ewell: born 1966 Music Theory and the White Racial Frame (2020) Race in music, Russian and twentieth century music, as well as rap and hip hop [218] Ellie Hisama: Gendering Musical Modernism: The Music of Ruth Crawford, Marion Bauer, and Miriam Gideon (2007)
Heinrich Schenker (19 June 1868 – 14 January 1935) was an Austrian music theorist whose writings have had a profound influence on subsequent musical analysis. [1] His approach, now termed Schenkerian analysis, was most fully explained in a three-volume series, Neue musikalische Theorien und Phantasien (New Musical Theories and Phantasies), which included Harmony (1906), Counterpoint (1910 ...
Marvin Trachtenberg more recently attempted to rehabilitate Warren's theory, even while conceding that "It is difficult to find fault with Wright's critique, whether regarding his refinement of Warren's musical reading, his own presentation of the textual, Solomonic-Marian syndrome, or his refutation of Warren's architectural analysis".
In music theory, counterpoint is the relationship of two or more simultaneous musical lines (also called voices) that are harmonically interdependent yet independent in rhythm and melodic contour. [1] The term originates from the Latin punctus contra punctum meaning "point against point", i.e. "note against note".