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The opening bars and main theme of No. 1. The Nocturnes, Op. 9 are a set of three nocturnes for solo piano written by Frédéric Chopin between 1831 and 1832, published in 1832, and dedicated to Madame Marie Pleyel. These were Chopin's first published set of nocturnes. The second nocturne of the work is often regarded as Chopin's most famous ...
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Op. 20, Scherzo No. 1 in B minor (1831–33) Op. 21, Concerto for Piano and Orchestra No. 2 in F minor (1829–1830) Op. 22, Andante spianato et grande polonaise brillante in E ♭ major (the polonaise section orchestrated 1830-31; piano solo 1834) Op. 23, Ballade No. 1 in G minor (1831–1835) Op. 24, 4 Mazurkas (1834–1835) Mazurka in G minor
Cover page of Chopin's Nocturnes Op. 48. Frédéric Chopin wrote 21 nocturnes for solo piano between 1827 and 1846. They are generally considered among the finest short solo works for the instrument and hold an important place in contemporary concert repertoire. [1]
Anton Stepanovich Arensky: two nocturnes for piano, each part of a set: No. 1 from Six Pieces, Op. 5 (1884); No. 3 from Twenty-four Characteristic Pieces, Op. 36 (1894); a nocturne for two pianos, no. 8 from Variations (Suite No. 3), Op. 33; Arno Babajanyan: his nocturne, a lyrical piece in easy listening genre and a song performed by Muslim ...
Nocturne in B major; Op. 15, Three Nocturnes (1830–33): Nocturne in F major; Nocturne in F ♯ major; Nocturne in G minor; Op. 27, Two Nocturnes (1835-6): Nocturne in C ♯ minor; Nocturne in D ♭ major; Op. 32, Two Nocturnes (1836–37): Nocturne in B major; Nocturne in A ♭ major; Op. 37, Two Nocturnes (1838–40): Nocturne in G minor ...
In music, Op. 9 stands for Opus number 9. Compositions that are assigned this number include: Adams – Chamber Symphony; Adès – Living Toys; Bartók – Four Dirges; Beethoven – String Trios, Op. 9; Chopin – Nocturnes, Op. 9; Dohnányi – Symphony No. 1; Kabalevsky – Piano Concerto No. 1
Together with a number of rondos (Opp. 1, 5, 16 and 73), the Polonaise brillante and the Variations on "Der Schweizerbub", Chopin's compositions for piano and orchestra belong to a group of compositions in brilliant style, no longer confined by the tenets of the Classical period, which were written for the concert stage in the late 1820s to early 1830s.