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The Prisoner of Zenda is a 1979 American comedy film directed by Richard Quine that stars Peter Sellers, Lynne Frederick, Lionel Jeffries, Elke Sommer, Gregory Sierra, Jeremy Kemp, and Catherine Schell. It is adapted from the 1894 adventure novel by Anthony Hope. [4]
The Prisoner of Zenda is an 1894 adventure novel by Anthony Hope, in which the King of Ruritania is drugged on the eve of his coronation and thus is unable to attend the ceremony. Political forces within the realm are such that, in order for the king to retain the crown, his coronation must proceed.
The Prisoner of Zenda is a 1952 American Technicolor adventure film version of the 1894 novel of the same name by Anthony Hope and a remake of the 1937 sound version and the 1922 silent. This first color version, made by Loew's and Metro-Goldwyn-Mayer, was directed by Richard Thorpe and produced by Pandro S. Berman.
His final completed film as a director was the film The Prisoner of Zenda (1979) starring Peter Sellers. Quine was hired to direct another Sellers film, The Fiendish Plot of Dr. Fu Manchu (1980). Before the script was even completed, Quine was fired owing to "creative differences" with Sellers. [32]
The Prisoner of Zenda (1979 film) Prisoner of Zenda (1988 film) The Prisoner of Zenda (1915 film) Prisoner of Zenda, Inc.
Most of her movie work during the decade came in European films. After the 1979 comedy The Prisoner of Zenda, which reunited her with Sellers, the actress did virtually no more acting in Hollywood films, concentrating more on her artwork. Sommer also performed as a singer, recording and releasing several albums.
The Prisoner of Zenda is an 1894 adventure novel by Anthony Hope. The Prisoner of Zenda may also refer to one of its many film adaptations: The Prisoner of Zenda, with James Keteltas Hackett and Beatrice Beckley; The Prisoner of Zenda, starring Henry Ainley and Jane Gail
The Prisoner of Zenda is a 1961 American television play based on the novel The Prisoner of Zenda starring Christopher Plummer. [1] Plummer said "We hope to bring more energy and style to our TV adaptation" than the 1937 film version.