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Biographical information about Virgil is transmitted chiefly in vitae ('lives') of the poet prefixed to commentaries on his work by Probus, Donatus, and Servius.The life given by Donatus is generally considered to closely reproduce the life of Virgil from a lost work of Suetonius on the lives of famous authors, just as Donatus used this source for the poet's life in his commentary on Terence ...
Engraving of Pastoral 2: Dryden's Virgil, 1709. Eclogue 2 (Ecloga II; Bucolica II) is a pastoral poem by the Latin poet Virgil, one of a series of ten poems known as the Eclogues. In this Eclogue the herdsman Corydon laments his inability to win the affections of the young Alexis. [1]
Virgil introduced political clamor largely absent from Theocritus' poems, called idylls ('little scenes' or 'vignettes'), even though erotic turbulence disturbs the "idyllic" landscapes of Theocritus. Virgil's book contains ten pieces, each called not an idyll but an eclogue, from the Greek ἐκλογή ('selection', 'extract'). [2]
Vergilius Romanus, fol. 1 r. The beginning of Virgil’s Eclogues in MS. Biblioteca Apostolica Vaticana, Vaticanus Palatinus lat. 1632, fol. 3r.. Eclogue 1 (Ecloga I) is a bucolic poem by the Latin poet Virgil from his Eclogues.
The Châtelaine de Vergy tells the story of an unnamed knight in the service of the Duke of Burgundy who is the lover of the Châtelaine of Vergy, the Duke's niece. The Châtelaine has accepted this knight's love on one condition: that he must keep their relationship secret from everyone, and that when he comes to visit her, he must wait for her little dog to come out to him in the garden ...
The poem is based mainly on the bucolic Idyll 5 of the 3rd century BC Greek poet Theocritus, but with elements added from Idyll 4 and other Theocritean idylls. [1] Like Theocritus's Idylls 4 and 5, and all of Virgil's surviving poetry, Eclogue 3 is composed in dactylic hexameters.
The poem may be summarised as follows: [3] 1 Virgil begins by explaining that his Muse, Thalea, first deigned to play songs in "Syracusan" verse (i.e. imitating those of Theocritus, who came from Syracuse, Sicily); when he attempted to write epic poetry ("kings and battles") Apollo checked him with the words, "Tityrus, a herdsman ought to pasture fat sheep, but sing thin poetry".
Virgil draws on the neoteric poets at times, and Catullus' Carmen 64 very likely had a large impact on the epyllion of Aristaeus that ends the Georgics 4. Virgil's extensive knowledge and skilful integration of his models is central to the success of different portions of the work and the poem as a whole.