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Grass pattern Tang caowen [4] Twined branches Chanzhiwen [4] Curves Pommel pattern Guri (屈輪) / Pommel scroll [21] Geometric Diagonal Diagonal straight lines Lishui: Diagonal wavy lines Semicricles Horizontal semi-circles Woshui Curvilinear Swirl [4] Wavy Wavy Boqu [4] Others Yunleiwen ( 云雷纹)/ Cloud-and-thunder pattern (meander) Yunleiwen
"Huang Di, Yao, and Shun (simply) wore their upper and lower garments [衣裳; yī cháng] (as patterns to the people), and good order was secured all under heaven". Hanfu had changed and evolved with the fashion of the days since its commonly assumed beginnings in the Shang dynasty. Many of the earlier designs are more gender-neutral and ...
As a sign for a resonant cultural concept, the character became a part of many Chinese names (e.g. Palace of Tranquil Longevity in Beijing). The Japanese equivalent is Kotobuki 壽; 寿 (see Nakajima Kotobuki, Tsukasa Kotobuki). See also Jurōjin (Shou Laoren) and Fukurokuju.
A welcome sign (or gateway sign) is a road sign at the border of a jurisdiction or region that introduces or welcomes visitors to the place. [1] Examples of welcome signs can be found near political borders, such as when entering a state , province , county , city , or town , and they are increasingly found in neighborhoods and private ...
The Huahujing (also romanized as Hua Hu Ching) is a Taoist work, traditionally attributed to Laozi. No extant versions exist today apart from quotations in a partial manuscript discovered in the Mogao Caves , Dunhuang , in China.
The hu is a pear-shaped vessel that has been found in both a round and square form. [16] Examples have been discovered with a variety of decorative motifs. During the Shang dynasty one hu would typically be offered, decorated with relatively simple taotie designs. Dragons, cattle and thunder patterns also appear on hu vessels during the Shang ...
In Chinese philosophy, a taijitu (Chinese: 太極圖; pinyin: tàijítú; Wade–Giles: tʻai⁴chi²tʻu²) is a symbol or diagram (圖; tú) representing taiji (太極; tàijí; 'utmost extreme') in both its monist and its dualist (yin and yang) forms in application is a deductive and inductive theoretical model.
Several common themes in decoration span across all types of vessel forms, from hu to pan, and guang to jia. Arguably, the most frequent, though also the most intriguing and mysterious [citation needed], form of décor is the two eyed motif, often referred to as the taotie. This motif can range from as simple as two protruding half spheres in ...