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Sam Savitt (March 22, 1917 – December 25, 2000) was an equine artist, author, and teacher, as well as an illustrator of over 130 books, in addition to 16 that he wrote. He was designated the official illustrator of the United States Equestrian Team, and was a founding member of the American Academy of Equine Art. [1]
Rice is included in the book Artists in California 1786-1940 (1986) by Edan Milton Hughes. [5] His daughter, Roberta Rice Treseder, published a book in 2009, William S. Rice: California Block Prints which is a biography and includes images of his printmaking as well as woodblock printing methods and materials. [8]
Black and coloured chalks, white bodycolour, black and brown wash, pen and ink, and brush and ink on pale pink prepared paper. 27.8 × 19.4 cm: The identity of the sitter is unknown. [192] An unidentified woman [193] c. 1532 – c. 1543: Black and coloured chalks, and pen and ink on pale pink prepared paper. 28.8 × 22.8 cm
The White Horse was one of Constable’s favourite paintings. He commented in a letter to Fisher in 1826: There are generally in the life of an artist perhaps one, two or three pictures, on which hang more than usual interest – this is mine. [9] In 1830, when Fisher was heavily indebted, he bought the painting back, also for 100 guineas. [10]
Black Gold (1957) – about the horse Black Gold; Muley-Ears, Nobody's Dog (1959) All About Horses, with drawings by Wesley Dennis and photos (1962) Five O'Clock Charlie (1962) Stormy, Misty's Foal (1963) Portfolio of Horse Paintings, with commentary by Henry (1964) – "Published in 1952 under title: Portfolio of horses." LCCN 64-22279
However, there are exceptions to this rule, including black-and-white fine art photography, as well as many film motion pictures and art film(s). Early photographs in the late 19th and early to mid 20th centuries were often developed in black and white, as an alternative to sepia due to limitations in film available at the time.